Telly Visions: Georgia Moffett

As I’m sure you’re all aware, Georgia Elizabeth Moffett is the daughter of the fifth actor to play the Doctor in “Doctor Who”, Peter Davison, and the actress who played Trillian in “The Hitch Hikers Guide to the Galaxy”, Sandra Dickinson. Georgia was born on Christmas Day, 1984, on the eve of her parents’ sixth wedding anniversary! After David Troughton, Private Moor in episode six of second Doctor adventure “The War Games” and King Peladon in Jon Pertwee/Ice Warrior escapade “The Curse of Peladon”, Miss Moffett is the second child of an actor who played the Doctor to have a speaking role in “Doctor Who”. She will be appearing in this weekend’s episode, in the pivotal part of Jenny. Her character is presumed to be none other than “The Doctor’s Daughter” - irony duly noted - and, no doubt, destined to become this year’s Sally Sparrow, in that she will be seen as the perfect companion who never was! Adding fuel to the fire, it’s rumoured she originally auditioned for the role of Rose Tyler!! But, then, every young actress under the sun seems to have applied for that particular job!!!

I expect it must prey on Georgia’s nerves, to a certain extent, being the offspring of other famous thespians, if her achievements are continually undermined and dismissed because of that very fact. She has already proved herself independent of her parents, certainly in the acting profession, in a returning role in ITV cop drama “The Bill”. Over a period of more than two years, from the end of 2002 to the beginning of 2005, Georgia played DS Samantha Nixon’s daughter, Abigail, on and off for a total of twenty-five episodes. “The Tripods” actress Lisa Maxwell played her mum so the science fiction connection, in a way, arrives full circle this weekend! Despite still only being twenty-three years old, last year Georgia worked with her real-life dad, playing Tanya, on his series “The Last Detective”, in an episode entitled “Once Upon a Time on the Westway”, in which Davison stars as DC “Dangerous” Davies! The young actress says Peter still hasn’t completely grasped that she’s actually in the same series he finished making nearly a quarter of a century ago! This Saturday, though, for one night only, well - apart from repeats, a different “Doctor” gets to be Georgia’s father!! But, is David Tennant really her dad?

Seizing Kerry’s Assets

For what, precisely, is Kerry Jayne Elizabeth Katona famous? Well, her original claim to this prodigiously prominent position is that she was once a part of pop-tart trio Atomic Kitten. But, rumour has it, she didn’t sing on some/any of their hits! Apparently, she merely spoke a few lines in just one of their songs!! So, what was the purpose of her being in the group, in the first place? They were put together eleven years ago by Andy McCluskey, of Eighties band Orchestral Manoeuvres in the Dark, so you might expect he would’ve chosen someone who could actually sing! Kerry left/was-booted-out the Atomics just as they were on the verge of major commercial success, with their single “Whole Again”, ostensibly because of her pregnancy. However, I don’t recall any other instance, of being with child, preventing female aspirations in the pop industry.

On leaving the Pussies, Kerry married Westlife crooner Brian McFadden. God, can you imagine the sweet music coming out of their household! But, the union helped seal her familiarity, with the great British general public, and a couple of years later, in February 2004, Katona won the third British series of reality TV show “I’m a Celebrity… Get Me Out of Here!” and was crowned “Queen of the Jungle”. For all that, the couple separated later the same year. Since then, she’s found happiness with a taxi driver, should you choose to believe it? In-between, the 27-year-old published her autobiography, “Kerry Katona: Too Much, Too Young: My Story of Love, Survival and Celebrity”, with the ironic placement, in the title, being on the word “Much”, in that it doesn’t imply affluence, rather austerity of upbringing, although I doubt very much if it was our Kez who thought of that!

Anyway, the reason for this potted history of Miss Katona is that she now faces bankruptcy to the sum of £475,000! I can only presume she must have made a fortune in order to spend one but has, obviously, exceeded her budget. You shouldn’t laugh at those, intellectually, less well off than yourself but I couldn’t help but smile when I read that a High Court judge agreed to give her a ten-week extension period, though warned that if she didn’t meet the deadline, receivers would seize her assets. It wasn’t her predicament I was smiling over but the terminology of the court. I conjured up images of a bewigged member of the judiciary making a beeline for young Kerry’s tits and, let’s face it/them, it’s the ample size of her bosom for which she’s really famous. The mother of four is, obviously, quite a handful so perhaps I should’ve called this post “Squeezing Kerry’s Assets”!

The Other Doctor

Things are looking up in the world of “Doctor Who”! After a run of five poor episodes, beginning with the last two of last year’s season, taking in the Christmas special, and concluding with the first two of the latest series, we’ve now had three good ones on the trot, up to and including last night’s “The Poison Sky”!! I had my doubts about the return of the war-loving clones but all involved seemed to pull it off with more than a twinkle in their eye. It helped that the masks actually moved with each actor’s facial performance together with the fact that these marauding aliens are far more chatty than those from either Skaro or Mondas. Christopher Ryan, last seen in “Doctor Who” nearly twenty-two years ago as Mentor Kiv in the “Mindwarp” segment of “The Trial of a Time Lord”, really seemed to be enjoying himself! Rose popped up briefly again, this time on the TARDIS monitor, and appeared to be mouthing the syllables of “Doctor” in a panicked state. But, best of all was Bernard Cribbins who reminded me of the proprietor of the Shangri La holiday camp, Burton, as played by “Please Sir” actor Richard Davies in the seventh Doctor story “Delta and the Bannermen”, in that he accepts the situation, however bizarre, and just gets on with it. Donna’s grandfather is truly a refreshing change from every single family member we’ve been introduced to over the last few years!

And, next week’s story looks like being a corker, too! Not only does the episode ironically feature fifth Doctor Peter Davison’s real-life daughter Georgia Moffett, as “The Doctor’s Daughter”, but also accomplished Shakespearean actor Nigel Terry, whom you may have seen in “The Ruth Rendell Mysteries” whodunit “A Guilty Thing Surprised” or, more recently, as Professor Stephen Curtis in two episodes of “Spooks”. 2008 is shaping up to be a monster year for our favourite science fiction series, in more ways than one… We’ve seen the return of the Ood and the Sontarans, which may well have had something to do with the upturn in quality, though not necessarily, and the Daleks are still to resurface with the Cybermen at the end of the year. The original “Monster” Season was the Fifth, from the classic era of the programme, despite not actually featuring any Daleks, with the exception of a repeat of “The Evil of the Daleks” from the previous year. Nearly two decades later, producer John Nathan-Turner tried to emulate this theme in Season Twenty-One. So, maybe at the back of the mind of Russell T. Davies is a desire to have a go at this himself. He wouldn’t want to feel left out at not having left his mark in every conceivable area!

While the latest episodes have been transmitting, the “Doctor Who” crew have been filming just a few miles down the road from me, at Gloucester Cathedral, the location used for many of the school sequences in the earlier “Harry Potter” movies. David Tennant’s Doctor has been attending a funeral. College Green was covered with artificial snow for a scene in which mourners, in Victorian costume, marched in front of a horse-drawn carriage carrying a coffin. It isn’t clear who is in the coffin but, at one point, Tennant watches with a grim expression as the hearse passes him. Neither Billie Piper, Freema Agyeman or Catherine Tate were present for filming, so your guess is as good as mine! While none of the familiar ladies of the new series were here, actress Velile Tshabalala was. She is rumoured to be a new companion. But, whose? Also on location was David Morrissey and attached to his trailer were the mysterious words “The Other Doctor”!! As you can see, he is certainly dressed to look like a Doctor but is he the eleventh or an incarnation from another dimension? The two Davids have worked together before on the BBC musical serial “Blackpool”. Since seeing David Morrissey as Colonel Brandon earlier in the year in “Sense and Sensibility”, I’ve been thinking what a terrific Doctor he might make. Maybe Russell caught his performance, too?

Telly Visions: Gabrielle Drake

Just for a change, I thought I’d better write about an actress who hasn’t appeared in “Doctor Who”! She has, however, appeared in a major science fiction series and this is probably her main claim to fame, despite being a classically trained Shakespearean actress. Her popularity also hails from, approximately, the same time period as my first two choices in this new feature and she is, facially at least, very similar in appearance to my previous “Telly Visions” selection, Wendy Padbury. I’m talking about Gabrielle Drake, one of the best-remembered stars of the 1970 television series “UFO”. Yet, she played Lieutenant Gay Ellis in only ten of the twenty-six episodes produced. Lt. Ellis worked on Moonbase, which was Earth’s first line of defence against invading flying saucers. Part of the reason for her not appearing in the remaining episodes was a gap in production, of about six months, due to relocation of the studio, during which time she needed to look for alternative employment. This also affected other major players in the Gerry Anderson show such as George Sewell. He played Colonel Alec Freeman in the first seventeen episodes then vanishes without a trace, despite still appearing, like Gabrielle, in the opening title sequence! Don’t let that put you off watching the series, though, if you’ve never seen it… Many of the later episodes have stronger scripts, despite a shifting of emphasis as to the reasons for the aliens coming to Earth! The costumes worn by Drake, and her female co-stars, included grey catsuits and mauve or purple-coloured wigs, the practical reason for which was never explained in the series. Trust me, ambiguity is good!

If you don’t remember Gabrielle from “UFO”, you may recall her appearance with John Cleese in an oft-repeated commercial for Yellow Pages, where, if I recollect correctly, the couple attempt to retrieve a goldfish bowl from their flooded home! But, really, she should be most familiar to a wider television viewing audience for her starring role in “The Brothers”, in which she played Jill Hammond for forty-two episodes between 1972 and 1974. If you’re unfamiliar with this series, “The Brothers” could be seen as producer Gerard Glaister’s forerunner to “Howards’ Way”, both being, essentially, Sunday early-evening soaps centred around a family business. It certainly brought Colin Baker into the public eye, as the villainous Paul Merroney, well over a decade before he took on the mantle of Britain’s most famous time traveller. In hindsight, the character of Paul Merroney can be viewed as a prototype for the new Thatcher-inspired generation of corporate go-getters. Anyway, it wasn’t Gabrielle’s only brush with the world of soap! Also like Wendy Padbury before her, she has appeared in the long-running motel saga “Crossroads”, though Drake’s stint was over several years during the mid-to-late Eighties as Nicola Freeman. No relation to Alec, in “UFO”, I trust! On the big screen, she played posh tottie Julia Halforde-Smythe opposite Peter Sellers in the Boulting Brothers’ romantic comedy “There’s a Girl in My Soup”. Peter’s catchphrase in the film is “My god, but you’re lovely” and this is certainly true of his co-star, Gabrielle Drake. Just take a look at the short clip of Lt. Ellis changing into her mini-skirt in the Moonbase equivalent of a locker room, from the “UFO” pilot-episode “Identified”, and I think you’ll agree!

Ten of the Beast

Being in a positive frame of mind, at the present time, and given that we seem to be heading towards some sort of conclusion to the first four seasons of new “Doctor Who”, I thought it might be an appropriate moment to consider which have been the highlights of the first forty-five episodes, since the programme’s resurrection. My selection seems obvious to me, but you may beg to differ…

From Season One, in chronological order, three stories over four episodes…

1: “The Unquiet Dead” written by Mark Gatiss, directed by Euros Lyn - originally broadcast on 9th April 2005 with Christopher Eccleston as the Doctor and Billie Piper as Rose Tyler

The Doctor shares a carriage with Dickens (Simon Callow) while Rose is touched up by undertaker Gabriel Sneed (Alan David), when she’s unconscious! And, they call this a children’s show? Meanwhile, the Time Lord is taken in by a plea to “Pity the Gelth”. He does and his gullibility costs the life of servant girl Gwyneth (Eve Myles).

2: “Dalek” written by Robert Shearman, directed by Joe Ahearne - originally broadcast on 30th April 2005 with Christopher Eccleston as the Doctor and Billie Piper as Rose Tyler

A strange way to reintroduce the Doctor’s deadliest foe, with only one of the scallywags from Skaro, but, in retrospect, it’s a tough little story, totally at odds with all the emoting going on elsewhere in the series! Who would ever have thought we’d feel sympathy for a “Metaltron”? Rose’s white t-shirt indicates she’s a Dalek virgin!

3 & 4: “The Empty Child” & “The Doctor Dances” written by Steven Moffat, directed by James Hawes - originally broadcast on 21st & 28th May 2005 with Christopher Eccleston as the Doctor, Billie Piper as Rose Tyler and John Barrowman as Captain Jack Harkness

Doctor Constantine (Richard Wilson) grows a gasmask on his face while a little boy, in a similar predicament, asks of everyone he meets, whatever their gender, “Are you my mummy?” - That dubious honour belongs to Nancy (Florence Hoath) who’d, obviously, do absolutely anything to meet Graham Norton! Rose’s Union Jack t-shirt indicates with which Captain she’d enjoy an association!!

From Season Two, one story comprising two episodes…

5 & 6: “The Impossible Planet” & “The Satan Pit” written by Matt Jones, directed by James Strong - originally broadcast on 3rd & 10th June 2006 with David Tennant as the Doctor and Billie Piper as Rose Tyler

Beam me up Scooti Manista (Myanna Buring) was, no doubt, on many a male’s mind before the wee lass was sucked into a black hole above the rocky landscape of Krop Tor! Nothing Ood about that, let me assure her!! Well, you know what they say, “The beast and his armies will rise from the pit”. While the Doctor hitches a lift to the bottom, Rose attempts to keep hers covered as she gets carried away to Zachary Cross Flane’s (Shaun Parkes) escape rocket… when she’s unconscious!

From Season Three, two stories over three episodes…

7 & 8: “Human Nature” & “The Family of Blood” written by Paul Cornell, directed by Charles Palmer - originally broadcast on 26th May & 2nd June 2007 with David Tennant as the Doctor and Freema Agyeman as Martha Jones

Doctor Jones dons a maid’s uniform just so schoolteacher John Smith can show her and matron Joan Redfern (Jessica Hynes) his “Journal of Impossible Things”! I know all about his sort, the dirty little scribble monster! Oh, that’s from a different episode altogether - silly me!! Surely, that kind of thing is best left to the Marquis de Sade? Some of the kinky devils are even dressing up… as scarecrows!!!

9: “Blink” written by Steven Moffat, directed by Hettie Macdonald - originally broadcast on 9th June 2007 with Carey Mulligan as Sally Sparrow, David Tennant as the Doctor and Freema Agyeman as Martha Jones

Well, I have to say, I’d do bird to make the acquaintance of young Miss Sparrow! I can hear her song now, “Sally, Sally, pride of our alley, You’re more than the whole world to me…” Why the Doctor didn’t fly her away in his TARDIS, I’ll never know!! They could’ve done time together!!!

And, from the first three episodes of Season Four, one single-episode story…

10: “Planet of the Ood” written by Keith Temple, directed by Graeme Harper - originally broadcast on 19th April 2008 with David Tennant as the Doctor and Catherine Tate as Donna Noble

This final selection certainly provided fOod for thought! And, the Ood were prepared to sing for their supper. The script required many things, not least… plenty of brains. So quite what Donna was doing on the Ood-Sphere, in the year 4126, remains a mystery. I think she keeps hers in her hindquarters!!

The observant reader will notice I haven’t chosen a single episode written by Russell T. Davies, nor have I chosen any that feature companions’ familial ties! That’s a feat in itself!! I wonder if the two are synonymous? Considering numerous instalments of new “Doctor Who” feature harmonious mothers, melodious brothers and dynamic lovers, it may suggest these are default choices, which isn’t the case. I do, genuinely, like the episodes detailed above. Those are my favourites, which ones are yours?

Warden’s Watch: Planet of the Ood (or… Ood, Glorious Ood!)

I’ll lay my cards immediately on the table and let you all know that I absolutely adored the latest episode in the new series of “Doctor Who”, “Planet of the Ood”! It’s as big a surprise for me as it is you, dear reader!! In spite of Tate, regardless of Davies and notwithstanding a rather naff gag dependant on, admittedly minimal, knowledge of “The Simpsons”, I would love it if the programme were like this more of the time. I confess I’d been looking forward to this episode, more than any other, because the Ood story from two years ago is my favourite of the tenth Doctor’s era, to date. Ironically, considering my preference for the classic series, but not being particularly partial to the Sontarans, I haven’t been looking forward to next week’s two-parter nearly as much! One of the things I like about these Ood tales is the turning on its head of the master-servant/slave relationship. Usually, it’s the humans who are subjugated in “Doctor Who”, not the aliens. At the start of the story, a mystery is quickly inaugurated for the Doctor and his companion to investigate when the pair chance upon what-is-soon-to-be-revealed-as a red-eyed Ood dying in the snow whose last words plead, “The circle must be broken”. The whole setup of this adventure is very similar to that of “Revelation of the Daleks”, with the fast-fading Ood being comparable to the forgiving mutant near the start of the earlier escapade. Both stories feature a trudge through snow, from where the TARDIS has materialised, across an alien landscape. Both include the aforementioned preliminary confrontation before reaching the hub of the action. And, both deal with the nature of conducting business while, perhaps revealingly, both are directed by Graeme Harper! It doesn’t take the time travellers quite as long to reach their destination in “Planet of the Ood”, however, as it did the Doctor and Peri twenty-three years ago!!

As “Planet of the Ood” hurtles towards its climax, the Doctor and Donna make an alarming discovery. Huddled together in a cell, singing the song of captivity, are a group of natural born Ood, unprocessed, before they’re adapted to slavery, unspoilt. They carry their secondary hind-brain in their cupped hands. Donna finds the music overwhelmingly unbearable, emotionally speaking, and asks for it to be taken away. I used to have the same problem whilst spinning discs for customers, when working in a record shop back in the Eighties! Joking aside, the use of music here is exemplary, for once, and connected to a warning in the final moments of this sequel, when, speaking to the Doctor, an Ood forewarns, “I think your song must end soon. Every song must end.” Earlier, the Doctor offers stunning marketing manager Solana Mercurio, played by the beautifully named Ayesha Dharker (pictured), the hand of friendship which she briefly considers then rejects. She proceeds by betraying both him and Donna at the first available opportunity, not being able to step outside her own small, seemingly secure, world of the workplace. This is a minor moment of momentous tragedy, more real than any of the nonsense concerning the separation of Rose from her mentor at the end of Series Two! And, the themes of this Ood episode have resonance, not just emotional content. We are privy to a great big (business) empire built on slavery, witness to battery-hen farming for Ood-kind. There is a slowness and precision in both manner and movement of the Ood which makes them a very dignified race of beings, and that is key to their success. As Tennant said in the following “Doctor Who Confidential” documentary, “Oods and Ends”, “they are benevolent and non-invasive”. By way of contrast, this time round there are also rabid Ood, perhaps comparable in concept to rogue Cybermen as seen in “The Invasion” and “Attack of the Cybermen”.

I guessed, before “Planet of the Ood” commenced, that the Doctor wouldn’t be able to resist mentioning the “real” snow, on this occasion, as opposed to the raining ash etc of previous instances! I also predicted the fate of Tim McInnerny’s Klineman Halpen, when he first commented upon his hair loss ten minutes into the episode, even though the manner in which it happened was still a pleasant surprise! Transformed into the very creature he’s been abusing, it’s not quite as agreeable for the character as the viewer but justly deserved, nevertheless, for both murder and as amoral “owner of the franchise for selling Ood, domestically, across the known and unknown galaxy”!! A nice commentary on the nasty and seedy nature of business, generally, I thought. I hope Sir Alan was watching, though I’m not sure he would heed any message even if attuned to literary subtext! The enemy within Halpen’s company was successfully disguised throughout by the discreet performance of Adrian Rawlins, as much put upon Dr Ryder, having been a friend of the Ood, working for their release, for the past ten years! The almost-chanted and oft-repeated phrase, “Doctor, Donna, friends”, will no doubt pass into the folklore of the programme though I’m more likely to remember the Time Lord’s criticism, “Who do you think made your clothes?” As producer Susie Liggat indicated, “Planet of the Ood” is a really important story about liberating repressed people, a metaphor that can be applied the world over both on a personal level and globally. Writer Keith Temple fashioned what-turned-out-to-be a very old school episode of “Doctor Who”, and good on him!!

Warden’s Watch: The Invasion (or… Lifting the Lid on the Cybermen!)

With the news that a pair of Cybermen have been photographed stomping round a cemetery in Newport, filming for this year’s “Doctor Who” Christmas Special, it seemed an appropriate moment to look at the story I consider to be their finest hour! That “The Invasion” is also Wendy Padbury’s best “Doctor Who” serial is a happy coincidence, as well as the fact that this eight-part epic just happens to be my second favourite “Doctor Who” story. When I was consciously choosing an order of preference, perhaps some twenty odd years ago now, it was a toss up between this Cyber-adventure and the previously discussed, ecologically minded, “Fury from the Deep” as to which should claim pole position in my affections, and the tale of the demented seaweed won out in the final analysis! Incidentally, it’s about time the producers of the new version of “Doctor Who” resorted to using one of the programme’s giants as villains in their seasonal offering. The creative choices taken, thus far, to fill the Christmas episodes have been quite odd, to say the least. The Doctor hardly appeared in the first, we were treated to a screaming bride in the second and the third relied on the notoriety of an unsinkable ship that sank! Personally speaking, I’ve always wanted to spend my Christmas with a Dalek!! I know… there’s no accounting for taste! Anyway, onto the main thrust of what I hope will be a very buoyant discourse…

“The Invasion” was directed by Douglas Camfield, the most-assured figure to work in this capacity on “Doctor Who” at any time in the programme’s history, and therein lies the strength of this serial. The Cybermen look very good on screen, due partly to the superb new costumes designed for them by Bobi Bartlett but perhaps more particularly to Douglas Camfield’s excellent direction. The helmets, for example, were now a lot bulkier in appearance with the addition of what can perhaps best be described as “tyres”, preventing the notorious handlebars from attaching directly to each side of each creature’s face. The teardrop effect, on the underside of each eye, was retained in the revamp but dropped from the lower lip, which became wider and narrower. It hadn’t been long since the monsters, originally from Mondas with Telos as their adopted home planet, were last dispatched by the present TARDIS incumbents, with only two five-part serials separating the earlier “The Wheel in Space” from the creature’s surprise reappearance halfway through this escapade. The first repeat of a complete adventure in the programme’s history, “The Evil of the Daleks”, undoubtedly helped put some distance between the two Cyber-serials. One of the really good things about “The Invasion” is the Cybermen’s seeming indestructibility. Attacking them with all manner of military hardware does nothing to stop their inevitable nihilistic onslaught…

Like the second William Hartnell Dalek serial, “The Dalek Invasion of Earth”, “The Invasion” benefits enormously from the use of location filming around familiar London landmarks. Whereas, in the earlier story, we were treated to Daleks patrolling the likes of Westminster and Trafalgar Square, in this Cybermen outing the aliens appear through street manholes from out of the sewers, at the end of the sixth episode, to march triumphantly down the steps behind St. Paul’s Cathedral. It is, indeed, an imposing sight. Also something of an arresting display, and without skirting around the issue, Wendy Padbury’s and Sally Faulkner’s knickers are frequently revealed! Douglas would insist on filming things using low camera angles!! The director had the reputation for organising his shoots with military precision!!! He’s also responsible for my favourite episode of “The Sweeney”, “Thou Shalt Not Kill”, which prominently featured another lovely of the day, Harriet Philpin, better known to “Doctor Who” fans as Bettan in the second half of “Genesis of the Daleks”. As for the Cybermen themselves, and despite not having much dialogue in “The Invasion”, they would never again be this good. After their fifth and final black and white story, writers seemed to forget that the creatures are supposed to be emotionless, when terms like “Revenge” and “Excellent” started creeping into future scripts! They seem harder to write for than Daleks, with only “The Tomb of the Cybermen” being truly comparable in quality to the pièce de résistance that is “The Invasion”.

Telly Visions: Wendy Padbury

Deborah Watling’s successor in “Doctor Who” was the diminutive, but equally lovely, Wendy Padbury. Wendy became something of an icon for me in my formative years. Not only did she have a regular part to play in the adventures of the second Doctor but also with the team on children’s drama series “Freewheelers”. She joined “Doctor Who”, as Zoë Heriot, during another encounter with the Cybermen, in “The Wheel in Space”, and was returned to her own time and place, after forty-eight episodes, at the end of the epic ten-part story “The War Games”. It is during her final episodes on the series, the end of the Sixth Season, that we discover the Doctor’s race is known as Time Lords. I suspect this came out of desperation on the part of writers Terrance Dicks and Malcolm Hulke having had problems securing enough scripts for the programme’s final days in black and white and having to hurriedly write new instalments themselves! Ms Padbury’s bottom gained great notoriety at the beginning of her third story on the show, “The Mind Robber”, when, at the end of episode one, the TARDIS explodes and she and fellow companion Jamie are left clinging to its console as it slowly spins round, becoming engulfed in swirling mist. I hasten to add she was wearing a close-fitting lamé catsuit with said derrière pointing directly at the camera! No wonder I was enamoured!!

After leaving “Doctor Who”, Wendy Padbury found employment as co-presenter on a BBC game show, alongside Paul McCartney’s brother Mike McGear, in a short-lived series called “Score with the Scaffold”. The Scaffold were a well-known pop trio of the day, with a humorous slant, who themselves scored great success with hits “Thank U Very Much” and “Lily the Pink”. Wendy returned to acting in the brilliant and controversial British horror film, dealing with witchcraft and superstitions, “Blood on Satan’s Claw”. Appearing as Cathy Vespers, she is ritualistically raped. The actress renewed her acquaintance with the small screen in the fondly remembered, by me at least, Southern Television series “Freewheelers” as Sue Craig. Then in its fifth series, “Freewheelers” can probably best be described as a sort of junior James Bond, being action-adventure orientated. Like “Doctor Who”, a series usually comprised several serials, each episode closing with a cliff-hanger. It had a jaunty opening theme tune but ended with a different part of the same composition, creating a more sombre mood. The credibility of the show declined in its final days but I loved it and used to rush home from school to catch it, in an era before the introduction of domestic video recorders! Towards the end of her career, Wendy played Rosemary Roberts in the ITV soap opera “Emmerdale Farm”, to give it its original title, where she was reunited with Frazer Hines, her co-star from the good old days of “Doctor Who”!!

Warden’s Watch: Fury from the Deep

As a companion piece to “Telly Visions”, I’ve determined to introduce another new recurring feature, to this blog, in order to give it a fresh sense of identity in the absence of regular new “Doctor Who” reviews. The general idea of “Warden’s Watch” is to take a closer look at one of the productions in which the selected “Telly Visions” actress featured. This doesn’t, necessarily, mean analysing whole series (perish the thought!) but attempting to discern what makes a single episode, or serial within a series, stand out from the crowd. In the interests of variation, I may choose to consider a piece under the “Warden’s Watch” banner, initially, then follow through, subsequently, with an overview of a particular cast member’s career. Equally, each of the new strands may simply stand alone. It’s not set in stone like the rock creatures in “The Fires of Pompeii” otherwise any possible creativity, in the writing department, goes straight out the window! I may even still review a new “Doctor Who” episode as part of this series. Next Saturday’s “Planet of the Ood” looks a little more promising than its two predecessors, in the latest run, now that the British Board of Film Classification has indicated it’s not as suitable for youngsters by giving it a 12 rating! On the other hand, don’t hold your breath!! So, without further ado, to business…

What is it that makes “Fury from the Deep” my all-time favourite “Doctor Who” story? I haven’t watched this six-part serial since I was nine years old, and am unlikely ever to see it again, having been wiped from the BBC’s archive, so the answer is simple… my memory of it being the scariest set of episodes. It boasts three genuinely frightening cliff-hangers, one of which is the most bizarre thing I’ve ever experienced in a television drama to this day. At the end of episode three, Maggie Harris and Robson, both infected by the weed creature, meet on the beach. The former tells the latter she will obey his instructions. Then, she turns and walks straight out into the sea, eventually becoming completely submerged beneath the waves… Can you imagine the effect that had on someone my age in 1968? It is a haunting image, make no mistake. And, talk about creative! You need a warped imagination to invent something as unusual and truly weird as that!! Thinking about it now, I’m surprised it made it to broadcast at 5.15 in the afternoon of Saturday, 30th March. Episode one’s ending was a stunner, too. Victoria (Deborah Watling), trapped in a store room at the base, screams as foam pours in through an open grille and advances toward her. Within the foam are fronds of animated seaweed… And, it occurs to me that it’s exactly forty years, to the day, since the transmission of episode five which concludes with the Doctor and Jamie entering the central area of the control rig to find themselves confronted by the terrifying sight of Robson standing in the middle of a mass of weed and foam. “Come in Doctor,” he whispers. “We’ve been waiting for you.”

“Fury from the Deep” is the only television “Doctor Who” story to be written by script editor, and former actor, Victor Pemberton. He based it on his own radio play “The Slide”, about mind-controlling mud with a heartbeat! Yeah, I know it may sound silly but if done properly, with the skill to suspend one’s disbelief, it can scare the heebie-jeebies out of anyone!! “Fury” features a Robert Holmes-style double act in the shape of a couple of characters called Oak and Quill. The scene of these two weed-infected technicians attacking Maggie Harris in the comfort of her own home is one of the most terrifying in the show’s history. On the downside, I wasn’t too sure about the travellers returning to the TARDIS to conduct experiments, mid-serial, considering the ship was parked on the surface of the ocean, making it more than a little inaccessible. Second Doctor Patrick Troughton didn’t want to go up in a helicopter either! However, the story was more than successfully directed by another former actor, and ex-school teacher, Hugh David. Formerly David Hughes, it was his second and last time on the show. He had previously worked on “The Highlanders” in the same capacity. I later discovered he taught my father maths at grammar school! His wife, Wendy Williams, played Vira in the Tom Baker serial “The Ark in Space”. And, she was the English teacher at the same establishment!! It was the first story to feature the sonic screwdriver which, now, is a mixed blessing but, then, functioned exactly as described. And, it was the last story to feature Debbie Watling as Victoria Waterfield. The end of the final episode features a touching and emotional farewell without being overbearing. As the image of Victoria waving goodbye recedes on the TARDIS scanner screen, the Doctor reminds his forlorn companion, “I was fond of her too, you know, Jamie.”

Telly Visions: Deborah Watling

I’ve decided to start up a brand new strand, on this blog, profiling some of my favourite actresses who have appeared on both the small and large screens over the decades. I’ll attempt to give it a personal slant in that each post will concentrate on the productions in which I’ve most enjoyed their performances. I make no apologies for the fact that this, hopefully, regular series of pieces is picture-inspired. I’m the one who has to look at this blog most often, therefore I will try and accompany each small article with a rarely seen image of each vision of loveliness! I suppose I could’ve called the series “Favourite Actresses” but thought it a dull and uninspired title. After a little more thought, I came up with “Telly Visions” instead! So, turn on, tune in and open up your eyes as first off the starting block is the gorgeous Deborah Watling!! But, then, they’re all beautiful…

Deborah is the daughter of actor Jack Watling. She first came to my attention, naturally enough, in “Doctor Who” during the late-Sixties. I’m beginning with her because she played the female companion throughout what is my favourite year of the science fiction series. Deborah joined the show, playing Victoria Waterfield, at the end of the Fourth Season, in the second episode of “The Evil of the Daleks”. Her father in the story is exterminated by the Daleks and so the second Doctor, Patrick Troughton, takes her under his wing, essentially adopting her by inviting her to join him and Jamie aboard the TARDIS. There is a rather touching scene in “The Tomb of the Cybermen”, the opening story of the following season, in which the Doctor tries to comfort and reassure her after her tragic loss. It isn’t dwelt on interminably and is the perfect example of how to deal with such issues in an essentially escapist series such as this. Her real dad joined the cast as Professor Travers, during her run, for the two Yeti stories and, in her final tale, it is her amplified scream that defeats the seaweed creature in my all-time favourite “Doctor Who” story, “Fury from the Deep”. It wasn’t only Jamie who was sorry to see her leave the programme at the end of this adventure!

Debbie had already appeared in a long running series at the tender age of eleven. She played Sally Brady in nine episodes of “H. G. Wells’ Invisible Man”, broadcast during 1959. Six years later, she appeared on the cover of the Radio Times to promote her starring role in Dennis Potter’s “Wednesday Play”, entitled “Alice”, which also featured future “Wexford” actor George Baker. Since moving on from “Doctor Who”, after a magnificent forty episodes over exactly eleven months, I suppose it’s fair to say television appearances have been thin on the ground. We saw a lot more of her as Sandra, alongside David Essex, in rock ‘n’ roll flick “That’ll Be the Day”. Whilst Ringo (Starr) is off doing his business elsewhere, our man from Essex attempts to get inside Miss Watling’s undergarments, lucky geezer, in one of the holiday camp chalets where he’s clearly gainfully employed! Back on the small screen, Deborah played Lorna in “Hello Young Lovers”, an episode of “Rising Damp”, in which her ample bosom is certainly thrust to the fore!! And, coming full circle, she appeared in the recurring role of “Naughty” Norma Baker, opposite Anthony Andrews, in seven episodes of “Danger UXB”, a series co-created by non other than Verity Lambert, the original Producer of Watling’s best-remembered gig, “Doctor Who”!