If I Were Davros…

It’s no secret that under Russell T. Davies I’ve found “Doctor Who” to be severely lacking! Whereas “Fury from the Deep”, a six-part story from the late Sixties, carries an inspiring ecological subtext about the dangers of not replenishing the Earth’s natural resources upon bleeding them dry, modern “Doctor Who” appears to be about nothing in particular except sitting on your arse all day watching the telly on a council estate! No wonder I feel cheated!! If I wanted to watch the latter, I could tune into crap like “EastEnders” or open the back door. I want to watch the former served up as a metaphor featuring weed creatures rising up out of the sea to take their revenge with the aid of poison gas exhaling humans. I want terror not soap. So, if I was about to inherit the mantle of show runner instead of Steven Moffat, how would I go about correcting the numerous mistakes made over the last four series? How would I make “Doctor Who”? What would I do if I had the power, if I were Davros…

The first change I would make to “Doctor Who” is in doing away with the single episode story. They do not give enough time for character or plot development and have all but removed the all-important cliff-hanger from the programme. At present, each season gives the viewer ten stories over thirteen episodes. Keeping the thirteen forty-five minute episode format, I would reduce the number of stories to six, five two-parters would be followed by a concluding three-part season finale. This would also be more cost effective in that you are reducing the number of opening nights by four. Jon Pertwee’s producer Barry Letts was very aware of how best to utilise the budget over a full season.

My next major change would be to do away with the season arc. Under Russell, we’ve had Bad Wolf, Torchwood, Saxon and, most recently, the return of Rose. Without exception, all failures. Each of my six stories would be self-contained, with no linking devices. Trying to keep your audience hooked Russell’s way is doomed to failure if the final episode fails to deliver. Give your public half-a-dozen strongly written, well executed, stories, excitingly concluded, so they’ll want to return for more instead of trying to twist their arm into staying with the programme only to receive a smack in the face like the Doctor at the hands of the parody Master in “Last of the Time Lords”!

Another important change would be to do away with companion’s families. I’m sick to death of the Doctor touching base every other week, at his latest travelling partner’s domicile. It’s alright to start off with an assistant’s familial attachments, such as when Peri was introduced in “Planet of Fire”, but to keep revisiting home turf is way too safe for a series originally steeped in fear and terror. What a shame they didn’t lop off the final fifteen minutes of the concluding episode, this year, and keep it to forty-five minutes, rather than allowing the writer’s excessive over-indulgence. Reign it in, edit, do away with superfluous material. Get rid of the baggage!

One Doctor, one companion. Throughout. No regenerations unless the lead is moving on. If you promise a death, deliver! Russell promised in Season’s Two and Four and went back on his word. Rose didn’t die in battle, unfortunately, and Donna had her memory all-too-conveniently wiped! Absolutely no reset buttons, in any way, shape or form!! I would choose a different writer for each story and, if possible, none would have written for the series before. I wouldn’t insist on writing the finale myself but would like to have a stab at one of the adventures! I’ve no objection to returning monsters, the Ice Warriors - as depicted in their black and white episodes - would be welcome, and wouldn’t insist on naming new ones myself, as Russell did the Ood. I’m pretty certain Verity Lambert didn’t insist Terry Nation call his creations the Daleks!! I think the writer came up with the name all on his lonesome.

So, there you have it. My six-story plan for the next season of “Doctor Who”! I fear it may be too late to give me the job!!

Warden’s Watch: Fury from the Deep

As a companion piece to “Telly Visions”, I’ve determined to introduce another new recurring feature, to this blog, in order to give it a fresh sense of identity in the absence of regular new “Doctor Who” reviews. The general idea of “Warden’s Watch” is to take a closer look at one of the productions in which the selected “Telly Visions” actress featured. This doesn’t, necessarily, mean analysing whole series (perish the thought!) but attempting to discern what makes a single episode, or serial within a series, stand out from the crowd. In the interests of variation, I may choose to consider a piece under the “Warden’s Watch” banner, initially, then follow through, subsequently, with an overview of a particular cast member’s career. Equally, each of the new strands may simply stand alone. It’s not set in stone like the rock creatures in “The Fires of Pompeii” otherwise any possible creativity, in the writing department, goes straight out the window! I may even still review a new “Doctor Who” episode as part of this series. Next Saturday’s “Planet of the Ood” looks a little more promising than its two predecessors, in the latest run, now that the British Board of Film Classification has indicated it’s not as suitable for youngsters by giving it a 12 rating! On the other hand, don’t hold your breath!! So, without further ado, to business…

What is it that makes “Fury from the Deep” my all-time favourite “Doctor Who” story? I haven’t watched this six-part serial since I was nine years old, and am unlikely ever to see it again, having been wiped from the BBC’s archive, so the answer is simple… my memory of it being the scariest set of episodes. It boasts three genuinely frightening cliff-hangers, one of which is the most bizarre thing I’ve ever experienced in a television drama to this day. At the end of episode three, Maggie Harris and Robson, both infected by the weed creature, meet on the beach. The former tells the latter she will obey his instructions. Then, she turns and walks straight out into the sea, eventually becoming completely submerged beneath the waves… Can you imagine the effect that had on someone my age in 1968? It is a haunting image, make no mistake. And, talk about creative! You need a warped imagination to invent something as unusual and truly weird as that!! Thinking about it now, I’m surprised it made it to broadcast at 5.15 in the afternoon of Saturday, 30th March. Episode one’s ending was a stunner, too. Victoria (Deborah Watling), trapped in a store room at the base, screams as foam pours in through an open grille and advances toward her. Within the foam are fronds of animated seaweed… And, it occurs to me that it’s exactly forty years, to the day, since the transmission of episode five which concludes with the Doctor and Jamie entering the central area of the control rig to find themselves confronted by the terrifying sight of Robson standing in the middle of a mass of weed and foam. “Come in Doctor,” he whispers. “We’ve been waiting for you.”

“Fury from the Deep” is the only television “Doctor Who” story to be written by script editor, and former actor, Victor Pemberton. He based it on his own radio play “The Slide”, about mind-controlling mud with a heartbeat! Yeah, I know it may sound silly but if done properly, with the skill to suspend one’s disbelief, it can scare the heebie-jeebies out of anyone!! “Fury” features a Robert Holmes-style double act in the shape of a couple of characters called Oak and Quill. The scene of these two weed-infected technicians attacking Maggie Harris in the comfort of her own home is one of the most terrifying in the show’s history. On the downside, I wasn’t too sure about the travellers returning to the TARDIS to conduct experiments, mid-serial, considering the ship was parked on the surface of the ocean, making it more than a little inaccessible. Second Doctor Patrick Troughton didn’t want to go up in a helicopter either! However, the story was more than successfully directed by another former actor, and ex-school teacher, Hugh David. Formerly David Hughes, it was his second and last time on the show. He had previously worked on “The Highlanders” in the same capacity. I later discovered he taught my father maths at grammar school! His wife, Wendy Williams, played Vira in the Tom Baker serial “The Ark in Space”. And, she was the English teacher at the same establishment!! It was the first story to feature the sonic screwdriver which, now, is a mixed blessing but, then, functioned exactly as described. And, it was the last story to feature Debbie Watling as Victoria Waterfield. The end of the final episode features a touching and emotional farewell without being overbearing. As the image of Victoria waving goodbye recedes on the TARDIS scanner screen, the Doctor reminds his forlorn companion, “I was fond of her too, you know, Jamie.”