I found myself groaning as the latest episode of “Doctor Who”, named after the planet “Midnight”, began in the usual comedy-laden style of Russell T. Davies but, by its conclusion, realised I had been thoroughly gripped. In a bizarre twist of the pen, episode ten was much more terrifying than the preceding two-parter by Steven Moffat, which I admired more than enjoyed. While Moffat’s adventure was experimental in nature, RTD’s story was more a case of horror by the book, though none the worse because of that. Once it got past its silliness, “Midnight” became thoroughly scary. In fact, the throwaway lightness of the opening moments only served to heighten the horror once it kicked in. Possession is always a reliable storyteller… with no need for monsters so obviously human in rubber suits. What you can’t see is often more frightening than what you can because once something is visible you can make an assessment as how, best, to deal with it.
I’ve always found Lesley Sharp to be a reliably good actress. In this week’s episode of “Doctor Who”, she played her role, as being under the influence of an unknown alien entity, for all she was worth. She didn’t look down on the show as, somehow, being dramatically inferior. Even Rusty in his writing capacity, obliged to let us know Sky was a lesbian, didn’t manage to ruin it for Lesley with his too often-repeated personal agenda! David Troughton, also, sustained a good performance as Professor Hobbes, even giving those of us with long televisual memories welcome hints of his “A Very Peculiar Practice” character, Doctor Bob Buzzard! Loved it when he shook hands with the Doctor. It was like the ghost of his dad, Patrick, greeting the present incarnation… though Troughton junior’s been in the show in his own right of course, notably as King Peladon, during the run of his father’s successor.
Much of the pre-publicity for “Midnight” focused on Lindsey Coulson because we’re all supposed to know who she is from “EastEnders”. But, not being a watcher of soaps, the BBC’s presumption was lost on me! Having looked it up, I’m able to inform those of you in a similar position to myself that she played somebody called Carol Jackson!! And, naturally, that leaves us all none the wiser!!! I was more interested in one of her co-stars. The production team seems to have developed a penchant, this year, for actresses with the Christian name Ayesha. “Planet of the Ood” featured Ayesha Dharker as Solana Mercurio and, now, “Midnight” introduced us to gorgeous “Grange Hill” actress Ayesha Antoine as the Professor’s put-upon prodigy Dee Dee Blasco. Curious how the younger characters in this story were shown as smarter than their elders. Older folk are not necessarily immune to new ideas!
Unlike Miss Dharker in the earlier episode this season, Miss Antoine survived to the end of the current story which, in itself, makes a refreshing change. Not everyone lived in Russell’s latest, a contentious issue since the conclusion of Moffat’s overly-optimistic recent opus. “Midnight” saw the demise of all three crew members together with the possessed passenger, the ship’s hostess taking the latter in a moment of self-sacrifice. The suggestion the hostess knew the Doctor wasn’t human was a nice touch, though I’m sure there will be those wanting an answer as to how she knew rather than just enjoying the joke. Rose appeared briefly again, still in a state of distress, unseen by the Doctor who had his back to the monitor on which she appeared to call his name. Next week, we’ll be able to see Billie Piper in full, so to speak, but the Doctor will have to wait that little bit longer…
I’ve always found Lesley Sharp to be a reliably good actress. In this week’s episode of “Doctor Who”, she played her role, as being under the influence of an unknown alien entity, for all she was worth. She didn’t look down on the show as, somehow, being dramatically inferior. Even Rusty in his writing capacity, obliged to let us know Sky was a lesbian, didn’t manage to ruin it for Lesley with his too often-repeated personal agenda! David Troughton, also, sustained a good performance as Professor Hobbes, even giving those of us with long televisual memories welcome hints of his “A Very Peculiar Practice” character, Doctor Bob Buzzard! Loved it when he shook hands with the Doctor. It was like the ghost of his dad, Patrick, greeting the present incarnation… though Troughton junior’s been in the show in his own right of course, notably as King Peladon, during the run of his father’s successor.
Much of the pre-publicity for “Midnight” focused on Lindsey Coulson because we’re all supposed to know who she is from “EastEnders”. But, not being a watcher of soaps, the BBC’s presumption was lost on me! Having looked it up, I’m able to inform those of you in a similar position to myself that she played somebody called Carol Jackson!! And, naturally, that leaves us all none the wiser!!! I was more interested in one of her co-stars. The production team seems to have developed a penchant, this year, for actresses with the Christian name Ayesha. “Planet of the Ood” featured Ayesha Dharker as Solana Mercurio and, now, “Midnight” introduced us to gorgeous “Grange Hill” actress Ayesha Antoine as the Professor’s put-upon prodigy Dee Dee Blasco. Curious how the younger characters in this story were shown as smarter than their elders. Older folk are not necessarily immune to new ideas!
Unlike Miss Dharker in the earlier episode this season, Miss Antoine survived to the end of the current story which, in itself, makes a refreshing change. Not everyone lived in Russell’s latest, a contentious issue since the conclusion of Moffat’s overly-optimistic recent opus. “Midnight” saw the demise of all three crew members together with the possessed passenger, the ship’s hostess taking the latter in a moment of self-sacrifice. The suggestion the hostess knew the Doctor wasn’t human was a nice touch, though I’m sure there will be those wanting an answer as to how she knew rather than just enjoying the joke. Rose appeared briefly again, still in a state of distress, unseen by the Doctor who had his back to the monitor on which she appeared to call his name. Next week, we’ll be able to see Billie Piper in full, so to speak, but the Doctor will have to wait that little bit longer…
9 comments:
I was similarly impressed with RTD's latest outing - no silly monsters but instead a tightly written, psychological horror that worked on a deep level... that childhood copycat taunt. Loved the claustrophobic feel to it too. My first reaction was that Moffat has forced RTD to raise his game!
I thought this was RTD's best offering too, and the closest this incarnation of Dr. Who has got to capturing the Rod Serling vibe.
I really enjoyed it too. It was obviously low budget and a bit of a "filler" episode, not to mention "Donna-lite" as opposed to "Doctor-lite" (is the latter a new concept then? Shades of "The Deadly Assassin" with the Doc going it alone!) but as psychological dramas go, it was very well done. Shows that you can achieve a lot with limited resources. The whole possession thing was marvelously creepy - who would have thought that so much nastiness could come out of two people just staring at one another and repeating each other's words?? Lesley Sharp as you say Tim, was good, as were the majority of the cast. As for Lindsey Coulson I always thought she was brilliant as Carol J in Eastenders but in this she was a trifle shrewish...
Hope RTD can keep it up with "Turn Left" next week - looks potentially very good and finally the return of the Pipester!
And I see that today the Sun has blown the gaff with a pic of Davros and the Red Dalek!
I suspect RTD has been capable of writing this type of story all along, Steve, because his two children's serials, of the early Nineties, are terrifically claustrophobic. It's nice to be able to say something positive about Russell, though, before he leaves the show!
I presume you're thinking of "The Twilight Zone" episode "Nightmare at 20,000 Feet", Rol. The inimitable Bill Shatner believes there is a monster damaging one of the engines out on a wing of the plane on which he is a reluctant passenger. As you probably know, they remade the story, in the movie version, with John Lithgow.
It seems to me that "Doctor Who" works so much better when it actually has less money to spend, Simon. "The Greatest Show in the Galaxy" was partly shot in the BBC car park, due to an asbestos scare, and turned out to be one of the most frightening Sylvester McCoy tales!
I got the pics of Davros and the Red Dalek, online, last night. The Dalek creator has been well cast, in my opinion, unlike The Master last year, so I'm hoping for good things. There are echoes of the Special Weapons Dalek, from "Remembrance", about the Red Dalek! When did you start looking at pictures in "The Sun"?!! ;)
I was disappointed that we never got to see the vehicle they were in traveling across the actual landscape at any point, it looked cool from what was seen, I liked the look of the caterpillar tracks it was on,I suppose they cut any shots to keep the budget down on this episode.
I think the clearest shot of the vehicle is on the poster for the tours, I would have liked a nice shot of it trundling about. But it may have blown the claustrophobic atmosphere.
Good story about an evil lezzer. What agenda was that Russell?
The cockpit interior looked like the vehicle set used in "Gridlock" slightly redressed! But, I agree that showing the craft's exterior would've reduced the feeling of confinement felt throughout the story.
It's true - big budget, special effects and spectacle do not necessarily a good story make.
As for looking at "The Sun" I don't do it as a rule Tim, just saw the reference to the spoilers on a DW website first, and then visited the aforementioned tabloid's website! That's my excuse anyhow...;-)
I don't buy "The Sun" either, unless they're giving away free "Doctor Who" DVDs! And, there's never anything in it worth reading!!
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