If I Were Davros…

It’s no secret that under Russell T. Davies I’ve found “Doctor Who” to be severely lacking! Whereas “Fury from the Deep”, a six-part story from the late Sixties, carries an inspiring ecological subtext about the dangers of not replenishing the Earth’s natural resources upon bleeding them dry, modern “Doctor Who” appears to be about nothing in particular except sitting on your arse all day watching the telly on a council estate! No wonder I feel cheated!! If I wanted to watch the latter, I could tune into crap like “EastEnders” or open the back door. I want to watch the former served up as a metaphor featuring weed creatures rising up out of the sea to take their revenge with the aid of poison gas exhaling humans. I want terror not soap. So, if I was about to inherit the mantle of show runner instead of Steven Moffat, how would I go about correcting the numerous mistakes made over the last four series? How would I make “Doctor Who”? What would I do if I had the power, if I were Davros…

The first change I would make to “Doctor Who” is in doing away with the single episode story. They do not give enough time for character or plot development and have all but removed the all-important cliff-hanger from the programme. At present, each season gives the viewer ten stories over thirteen episodes. Keeping the thirteen forty-five minute episode format, I would reduce the number of stories to six, five two-parters would be followed by a concluding three-part season finale. This would also be more cost effective in that you are reducing the number of opening nights by four. Jon Pertwee’s producer Barry Letts was very aware of how best to utilise the budget over a full season.

My next major change would be to do away with the season arc. Under Russell, we’ve had Bad Wolf, Torchwood, Saxon and, most recently, the return of Rose. Without exception, all failures. Each of my six stories would be self-contained, with no linking devices. Trying to keep your audience hooked Russell’s way is doomed to failure if the final episode fails to deliver. Give your public half-a-dozen strongly written, well executed, stories, excitingly concluded, so they’ll want to return for more instead of trying to twist their arm into staying with the programme only to receive a smack in the face like the Doctor at the hands of the parody Master in “Last of the Time Lords”!

Another important change would be to do away with companion’s families. I’m sick to death of the Doctor touching base every other week, at his latest travelling partner’s domicile. It’s alright to start off with an assistant’s familial attachments, such as when Peri was introduced in “Planet of Fire”, but to keep revisiting home turf is way too safe for a series originally steeped in fear and terror. What a shame they didn’t lop off the final fifteen minutes of the concluding episode, this year, and keep it to forty-five minutes, rather than allowing the writer’s excessive over-indulgence. Reign it in, edit, do away with superfluous material. Get rid of the baggage!

One Doctor, one companion. Throughout. No regenerations unless the lead is moving on. If you promise a death, deliver! Russell promised in Season’s Two and Four and went back on his word. Rose didn’t die in battle, unfortunately, and Donna had her memory all-too-conveniently wiped! Absolutely no reset buttons, in any way, shape or form!! I would choose a different writer for each story and, if possible, none would have written for the series before. I wouldn’t insist on writing the finale myself but would like to have a stab at one of the adventures! I’ve no objection to returning monsters, the Ice Warriors - as depicted in their black and white episodes - would be welcome, and wouldn’t insist on naming new ones myself, as Russell did the Ood. I’m pretty certain Verity Lambert didn’t insist Terry Nation call his creations the Daleks!! I think the writer came up with the name all on his lonesome.

So, there you have it. My six-story plan for the next season of “Doctor Who”! I fear it may be too late to give me the job!!

"Revelation" Revisited!

I was quite taken with the above photo when I saw it on the "Doctor Who" restoration team's website. It occured to me that, at the time it was taken, three of the four people pictured had worked, in one capacity or another, with both Daleks and Cybermen! One of them had worked only with the Daleks. Almost a year later, it's with great optimism I mention that that fact has just changed. All four have now worked with both. Let me explain...

The picture was taken when the four of them were recording a commentary for last year's DVD release of "Revelation of the Daleks" called "Revelation Exhumed". It reunited them twenty years on from the original recording, "Revelation of the Daleks" being the only "Doctor Who" title with 1985 at the end of the closing credits.

On the left is actor Terry Molloy, best known to radio listeners as Mike Tucker in Radio 4's farming soap "The Archers". To "Doctor Who" fans, he's best known for his portrayal of Dalek creator Davros and the only actor to have played the role more than once! He inherited the part from Michael Wisher's original characterisation in 1975's "Genesis of the Daleks" and David Gooderson's 1979 interpretation in "Destiny of the Daleks". Terry has put on the mask of Davros on no less than three occasions during the Eighties, firstly in "Resurrection" ('84), then in "Revelation" ('85), and finally in "Remembrance of the Daleks" ('88). To keep his reappearance in the latter a surprise, the Emperor Dalek was credited to Roy Tromelly (anag.)! In 1985, he also played a character called Russell in "Attack of the Cybermen"...

Sitting next to Terry is writer and script editor Eric Saward. He was responsible, in his capacity as author, for returning the Cybermen to our screens in 1982, in a story called "Earthshock", after an absence of seven years. As well as writing "The Visitation", for the same season, he also wrote "Attack of the Cybermen" three years later, in 1985, despite the credit going to Paula Moore, his girlfriend at the time! That year also saw him write two stories for a season as he was also responsible for "Revelation of the Daleks". It was a sequel to his previous year's "Resurrection of the Daleks".

Next to Eric is actress Nicola Bryant. She played companion Perpugilliam 'Peri' Brown from 1984 to 1986. She joined the TARDIS crew as the fifth Doctor's era was coming to an end in "Planet of Fire" and stayed until partway through sixth Doctor epic "The Trial of a Time Lord". Since "Doctor Who", she has appeared in "Blackadder's Christmas Carol" (1988) as Millicent, children's serial "The Biz" (1994) as dance instructor Martine alongside Geoffrey Bayldon and had guest roles in medical dramas "Casualty" and "Doctors", both in 2000. During her time in "Doctor Who", however, she battled the programme's two most popular villains in "Attack of the Cybermen" and "Revelation of the Daleks".

On the right of the picture is "Star Cops" (1987) director Graeme Harper. He directed Nicola Bryant in both of his "Doctor Who" stories of the Eighties, "The Caves of Androzani" and "Revelation of the Daleks" but was the only one in the photograph to have never worked with the Cybermen... until now! He has just completed the filming of four episodes to feature them, for the second season of the new series, most likely beginning its run on 15 April. As the new episodes are almost twice the length of the regular length of classic episodes, this is quite some feat, and must have taken quite some organising, putting them on a par, in that respect, with the Douglas Camfield-directed eight-part Sixties' Cybermen story "The Invasion"!

Where Eric Saward brought the Cybermen back in "Earthshock" twenty-four years ago, Graeme Harper, beginning with "The Rise of the Cybermen", is doing the same eighteen years since their last proper appearance in the 1988 story "Silver Nemesis". The Cybermen's revival falls on the monsters from Mondas's fortieth anniversary, having first appeared in the 1966 final William Hartnell story "The Tenth Planet". The beauty of the "Revelation Exhumed" photo, and this accompanying story of connections, is that it firmly links classic "Doctor Who" (1963-89) to the new series (2005-?)!

"Revelation" Revealed!

"Revelation of the Daleks" is released on DVD this coming Monday and I recommend it without reservation. Not only is it a terrific "Doctor Who" story, it is simply a glorious piece of television drama. It doesn't matter that the Doctor's involvement in the first half is minimal or that the Dalek voices seem a little spineless; this is storytelling with guts. All the characters are fully fleshed and three-dimensional right down to the nameless mutant who forgives Peri for killing him near the beginning of the adventure.

After I first watched it, just over twenty years ago, I remember I found myself counting the moments of pathos. You find yourself feeling sorry for characters you would not usually feel any sympathy for under different circumstances. Jobel, for example, is a hideous man, a user of women for his own gratification. He is played to perfection by Clive Swift, best known as Hyacinth's harassed husband in "Keeping Up Appearances". He certainly won't be harried here! You despise Chief Embalmer Jobel when he sidles up to Peri, near the start of episode two, for trying to chat her up with the immortal, "Those rose-red ruby lips were made for kissing" - to which she retorts with the splendid put-down, "But not by you" - and yet you feel sorry for him when Tasambeker stabs him to death with an enormous syringe even though he has just callously snubbed her affections with the rhetorical, "Do you think I could possibly fall for a fawning little creep like you when I have the pick of the women here". With his dying words still full of conceit, "What have you done, you've killed Jobel", his orange toupee slips from his head to the floor and it is this little directorial attention to detail which makes the viewer think, what a pathetic excuse of a man!

Moments later, the Daleks corner Tasambeker, as she begins to regret her action of killing the man she loves. Naturally, being Daleks, they exterminate her mercilessly for betraying Davros. She had warned Jobel of what she had been sent to do just before he infuriates her enough into going through with it. The woman's inadequacy is breathtakingly captured by Jenny Tomasin, best known as the almost-equally put upon maid Ruby in "Upstairs, Downstairs". I've always compared the killing of Tasambeker in "Revelation" favourably with the scene in which Daleks pursue Ace in "Remembrance of the Daleks". They keep firing and missing as Ace goes round corners and yet when they corner her they start talking about it instead of finishing the job! Tasambeker is a supporting character and thus dispensable whereas Ace a companion and needed for the next story!! Therefore, the writer of "Remembrance" shouldn't have put himself in a position where, logically speaking, the Daleks should've been chanting "Exterminate" while giving chase and not once their prey was finally trapped by them!!!

I've mentioned merely but a few moments from "Revelation" though its ninety minutes running time is packed with similar emotionally complicated but rewarding scenes. If you think Captain Jack's inclinations in the recently finished season are new to the series then watch Orcini's actions on the death of his Squire. Author of "Revelation", Eric Saward has often been accused of heavy-handedness in his writing yet here he is much more subtle than Russell T. Davies has been twenty years on! If you think it was a new and wacky idea to have the Daleks exterminate a television celebrity in "The Parting of the Ways" then marvel at the demise of Tranquil Repose's resident DJ as played by the wonderful Alexei Sayle. And, if you think that Daleks couldn't elevate themselves before now, or even before "Remembrance", then, to quote the Sixth Doctor, "Look, listen and learn". I wholeheartedly recommend the purchase of this DVD even though I still have my Betamax recording all these years after its original transmission!