Taking care of Carey

Five years ago, many red-blooded Doctor Who fans were clamouring for actress Carey Mulligan to become the Doctor’s next companion after she almost single-handedly carried the episode Blink. It was not to be. Freema Agyeman was replaced by Catherine Tate and Carey’s character, Sally Sparrow, became but a birdcall in the garden of fond memories! Miss Mulligan has, of course, gone on to bigger things, though not necessarily greater. It’s unlikely we’ll ever see her back in Doctor Who, even though its current show-runner, Steven Moffat, created her character in a short story for an annual before embellishing it into a full-blown television episode.

I first noticed Carey in 2005, two years before her appearance in Series Three of Doctor Who, when she took on the role of Ada Clare, one of the wards in the court case of Jarndyce vs. Jarndyce, in Andrew Davies’ excellent BBC adaptation of Charles Dickens’ Bleak House. I thought her extraordinarily pretty but predicted Anna Maxwell Martin, who played another of the wards, Esther Summerson, would go on to be the more successful of the two female leads. I was wrong, possibly. Their stories aren’t over yet and it depends how you define success. Anna’s worked solidly in this country while Carey has tried her hand at working in Hollywood. America suits some better than others. It may mean bigger bucks but the jobs aren’t necessarily as satisfying.

Carey Mulligan’s portrayal of the gifted-but-emotionally-impressionable Jenny, in the BBC-funded An Education, was the breakthrough role which brought her to the attention of American producers such as Oliver Stone. It wasn’t long before she found herself starring opposite Michael Douglas, playing his daughter of all things, in the Wall Street sequel Money Never Sleeps. I know the tagline of the original was “greed is good” but surely Catherine Zeta Jones must be handful enough?! The image above shows Carey on the set of neo-noir road movie Drive, wearing shades - I suspect - not to look cool but to hide tired eyes from the glare of paparazzi! Should you want to see her naked, and I know you all hanker after nothing else, look no further than Steve McQueen’s tale of sex-addiction, Shame, in which she plays Michael Fassbender’s saucy sister Sissy. To be fair, there’s much more to this psychological drama than Mulligan’s mammaries, as gratifying as it may be to finally catch a glimpse!

If you can’t get enough of her loving (and who can?), Carey Hannah can also be seen, brassiere intact, opposite the likes of Jim Broadbent and Colin Firth in And When Did You Last See Your Father?; as Kitty Bennet in the film version of Jane Austen’s Pride & Prejudice, alongside Keira Knightley, Brenda Blethyn and Donald Sutherland; and in an ITV1 adaptation of Northanger Abbey as Isabella Thorpe. To bring her story smack-bang up to date, she has just finished working with Titanic heartthrob Leonardo DiCaprio and Romeo + Juliet director Baz Luhrmann on a remake of The Great Gatsby, due out on Christmas Day, playing the role Mia Farrow brought to life in the 1974 film version of F. Scott Fitzgerald’s novel, the superficial Daisy Buchanan. Give me your answer, do!

The Prettiest Star

The viewing public often think the term Best Actor or Actress applies to how good looking they find a particular personality, whether on television or in movie theatres! This is, of course, not the case. The term refers to those lucky few ladies and gents who have honed their craft to the pinnacle of perfection, as perceived by their peers. This piece isn’t necessarily about them but, as an heterosexual male, concerns women I think have been blessed with extraordinarily good looks, those with a pleasant face who are nice to look at. If these ladies are really fortunate, they may possess a talent as well! My selection is purely subjective. Some men, no doubt, find Clare Balding better looking than Marilyn Monroe. But a pleasing persona is equally important. If one is irritated by particular phrases or quirky mannerisms, an otherwise perfectly charming member of the opposite sex is going to come across as unattractive, dare I say ugly! But, I’m not going to dwell on those unfortunates; rather move swiftly on to the gals with bucket loads of charisma and oodles and oodles of sex appeal…

As a child, I found myself attracted to some of the actresses playing the companion in Doctor Who, namely Anneke Wills, Deborah Watling and Wendy Padbury. I had a crush on pop singer Sandie Shaw and was disappointed when Gabrielle Drake failed to make an appearance in the latest episode of UFO. As I moved into my teenage years, I was torn between Jenny Agutter and Judy Geeson. Jenny is gorgeous as an abandoned schoolgirl in the Australian outback in Walkabout, and as “Stay off the line, Bobbie” in The Railway Children, but is at her most perfect in dystopian science fiction thriller Logan’s Run. She and Judy both featured in Churchill-kidnap saga The Eagle Has Landed while Judy and Debbie went on to appear on television in Danger UXB. Judy’s sister Sally was an added attraction to ITV sitcom Bless This House. Some of Hammer’s finest, also the James Bond franchise, partly owe their success to the added glamour of starlets such as Linda Hayden and Caroline Munroe. As the Seventies drew to a close, Sandie was usurped by “the pull of the bush”, Kate Bush!

By 1984, the black and white dollies of the Patrick Troughton era of Doctor Who found themselves giving way to the ample charms of Nicola Bryant. Judy and Sally Geeson made way for another pair of acting sisters, Caroline and Susannah Harker. Susannah made her name in productions such as House Of Cards and Pride And Prejudice while Caroline achieved much the same in Middlemarch, Moll Flanders, Fay Weldon’s Growing Rich, and with David Jason in A Touch Of Frost. Never much of a fan of this plodding detective drama, I didn’t minded watching an episode if WPC Hazel Wallace was in on any action! More recently, I’ve been drawn to Medium, remembering Patricia Arquette from Eighties’ horror-fest Dream Warriors, the third instalment of A Nightmare On Elm St., only to fall for her onscreen daughter Ariel, portrayed by upcoming actress Sofia Vassilieva. Sofia is, quite possibly, the most stunning looking girl I’ve ever seen and yet she seems to carry herself with such poise and grace. Jenny Agutter and Caroline Harker have been joined in my affections by sweet Sofia!

Fox on the box

Actress Emilia Fox comes from a famous theatrical dynasty, but just how far back do her family’s acting roots go, and what was the scandal involving one of her ancestors in the 19th century? You can find out in tonight’s fifth episode of Who Do You Think You Are? beginning at 9pm on BBC One. She also discovers her great-great-grandfather Samson came up with an important invention in the 19th century. Born into an impoverished family, he began work at a Leeds textile mill at the age of eight, and went on to become one of the richest men of his time.

Meanwhile, there’s no getting away from Emilia’s relatives on the telly! Not that you’d want to as they’re all very well accomplished. Her dad, Edward, is probably best known for his role in Edward And Mrs Simpson and for attempting to assassinate French President de Gaulle in The Day Of The Jackal. Edward’s brother James made a terrific start to his acting career, appearing opposite Rolling Stone Mick Jagger in Nic Roeg’s seminal gangster flick Performance. I also remember James in a 1983 Film On Four written by Stephen Poliakoff and directed by Charles Sturridge, co-starring Bill Oddie’s daughter Kate Hardie, entitled Runners.

Emilia’s mum is Joanna David and you may have seen her helping the war effort in Yesterday’s repeats of Colditz or as a suspect in A Touch Of Frost opposite David Jason. Joanna was John Thaw’s long-lost love in my favourite Inspector Morse episode Dead On Time. Both mother and daughter were in Andrew Davies’ adaptation of Jane Austen’s Pride and Prejudice, Emilia playing Colin Firth’s fragile and wronged sister. Near the beginning of her career, Emilia won the title role in ITV’s version of Daphne Du Maurier’s Rebecca, gaining experience from Charles Dance, Diana Rigg and Faye Dunaway. More recently, she appeared in a Christmas version of Dickens’ David Copperfield with Bob Hoskins leading a galaxy of stars, again for the BBC, but her name is now synonymous with the forensic-pathology detective-drama series Silent Witness.

As Edward’s daughter has reached the pinnacle of the acting profession, so has James’ son Laurence. While Laurence’s aunt has guest-starred in Morse, he is a regular in spin-off series Lewis, playing the sergeant-turned-inspector’s intellectual sidekick Hathaway. And, of course, Billie Piper has married into the family becoming Laurence’s wife after meeting whilst touring a play together. I’m sure we all know the name of the series for which she’s most famous! Secret Diary Of A… no, not that one!! Anyway, they have a young son together, Winston, and the chances of him becoming an actor, I’d say, are pretty high.

Choice Period Piece

As a follow on to my recent Telly Visions post on Romola Garai, my recommended viewing this weekend is the network television premiere of Glorious 39 on BBC Two this Sunday evening at 9pm. In 1939, gorgeous toff and aspiring actress Anne Keyes (Garai), the adopted daughter of a prominent politician (Bill Nighy), becomes suspicious when a family friend seemingly commits suicide. As she probes, she discovers her father is involved in an organisation sympathetic to Hitler’s regime… and prepared to murder to further its cause.

Writer-director Stephen Poliakoff’s well-executed dramas are often major television events, the finest example being, in my opinion, Shooting The Past. But Glorious 39, a big-screen release, received mixed reviews and vanished quite quickly from cinemas. Essentially, it’s a country house mystery but played against the backdrop of Europe teetering on the brink of World War II. This ripping yarn is part Gosford Park, part The 39 Steps, with the quality cast including Julie Christie, David Tennant, Christopher Lee and Jeremy Northam.

Telly Visions: Romola Garai

Romola Garai seems to be popping up/out all over the place on television just recently! She’s been acting professionally since 2000 when she made her debut in The Last Of The Blonde Bombshells. The actress is perhaps best known now for playing the title role in Jane Austen’s Emma, a four-part adaptation broadcast two years ago on BBC One, opposite Michael Gambon playing her father Mr. Woodhouse. The cast also included Jodhi May and Christina Cole.

But Romola has most recently been seen on BBC Two playing Sugar, a young and intelligent prostitute seeking revenge, through a novel she is writing, against all the men who have abused her and her colleagues, in The Crimson Petal And The White. She has commented on her racy part of Sugar, a 19th century mistress, that “standing around in knickers and suspenders, waiting for someone to call action, is pretty cringe-making... By the end everyone on the set was like, ‘Please just put it away.’”

This week Romola is back on our screens in the six-part television drama series The Hour. Set in the BBC newsrooms of the mid-Fifties, and again on BBC Two, she plays Bel Rowley, spirited and ambitious, and facing the most exciting and daunting challenge of her life – running The Hour. Can her passion for the truth survive the political pressure the job will bring – and will her friendship with Freddie survive her undeniable attraction to front man Hector?

Relative Relations

It’s been the subject of mass debate as to why the Doctor keeps stroking bits of his TARDIS. He’s sometimes seen dusting his console with his handkerchief and spends copious amounts of time fiddling with his knobs. Yes, as well as having two hearts, he presses more buttons than anyone else in the universe! And now we know why. His little old Police Box is the love of his life. And when it materializes inside a young woman not unlike the one in the above picture, it transpires - in private - he calls her sexy. Never did I imagine I’d be looking at a picture of the Doctor’s space/time machine wearing such a pretty bra! It’s about time Suranne Jones appeared in “Doctor Who” - she’s already acted alongside the fifth Doctor, Peter Davison, in “Unforgiven” and the tenth Doctor, David Tennant, in “Single Father” as well as guest starring in “The Sarah Jane Adventures” as Mona Lisa. She’s still best known, perhaps, for playing feisty factory girl Karen McDonald for four years in “Coronation Street” which she left in 2004.

In “The Doctor’s Wife”, the fourth episode in the current series of “Doctor Who”, Suranne plays Idris whom cult fantasy-author Neil Gaiman hinted “might just turn out to be an old acquaintance with a new face.” Long term fans surmised as to whether or not it could possibly be renegade Time Lady the Rani, reborn in the same way as the Master. Then there’s the name Idris. Could this be a clue? IDentity RIver Song?! But it turned out to be neither of them. Much more cleverly, the story explored the relationship between the Time Lord and his erratic machine, while in human form. At the outset of the adventure, Idris lives with Auntie, Uncle and Nephew, who are raggedy people - patchwork folk put together from bits and pieces of travellers lured to what has become a junkyard world. Suranne’s character has got all her own bits, as most men will have noticed, but if she’d stayed in the same environment any longer, who knows, she might have found she’d got a new limb which didn’t belong to her! Understandably a little bonkers, Idris bites the Doctor! Tough job, acting!!

Song of the Siren

Readers with a relatively-long memory may recall, some three years ago, a two-part Telly Visions feature on model-turned-actress Lily Cole. It never crossed my mind, at the time, that one day she might pop up in “Doctor Who”, although unlikelier things have happened, but now here she is, guest-starring as villainess the Siren, in this week’s episode “The Curse of the Black Spot”. A bit of a naff title really… Considering an ex-Marks and Spencer supermodel is at the centre of the story, its designation sounds like a commercial for Clearasil or some other skin cleanser! In mythology, the Siren was a sea nymph, half-woman half-bird, who was believed to sing beguilingly to passing sailors in order to lure them to their doom on the rocks on which she sat. Would it therefore be too presumptuous to suggest that the title of this post might equally suit Saturday’s adventure? Actually, none of the titles this year, so far, have been up to much. And they’ve been extremely derivative. It’s only five years since “The Impossible Planet”, yet this year’s series opened with “The Impossible Astronaut”. “Doctor Who” fan-and-chronicler David Howe suggests on his blog that “Silence Falls” would’ve been a superior title and I agree. “Day of the Moon”, for a title, is just plain dull and perhaps influenced by “Day of the Daleks”. By the same token, “The Curse of the Black Spot” may have been inspired by “The Curse of Peladon” or “The Curse of Fenric”. The fourth episode is “The Doctor’s Wife” when we’ve not long dispensed with “The Doctor’s Daughter”. In a few years time, I’m looking forward to watching “The Doctor’s Concubine”! It’s not all bad news on the titles front, however. Episode six, “The Almost People”, sounds intriguing given the current political climate!

Lily Cole began her professional acting career in “St. Trinian’s”. I think it a little ironic that when David Tennant left “Doctor Who”, one of the first jobs he accepted was the “St. Trinian’s” sequel, “The Legend of Fritton’s Gold”. It might be considered a retrograde move especially now Lily has done the same jobs the other way round. Or maybe it’s a little snobbish to claim “Doctor Who” superior to the adventures of those riotous schoolgirls. On the other hand, “Pride and Prejudice” and “The King’s Speech” actor Colin Firth appeared in both “St. Trinian’s” films yet won awards for neither! So perhaps I’m not far out in my presumptions. The film Lily made after “St. Trinian’s” better indicates her suitability for a role in “Doctor Who”. “The Imaginarium of Doctor Parnassus” saw her teaming up with former “Monty Python” animator-turned-director Terry Gilliam. She played the role of Valentina in the film, scripted by the director with his regular writing partner Charles McKeown. As well as Christopher Plummer and Tom Waits, the film was to have co-starred Heath Ledger. Originally scheduled for a 2009 release, production was postponed after Ledger’s untimely death. Plummer played Parnassus, an immortal 1,000-year-old leader of a travelling theatre troupe that offers audience members a chance to go beyond reality through a magical mirror in his possession. Waits played the Devil, with whom the Doctor has done a deal. Cole played the Doctor’s daughter! (Another one!!) She falls foul of the Devil, when time comes to collect on the arrangement, and the troupe, which is joined by a mysterious outsider named Tony (originally Ledger), embark on a journey through parallel worlds to rescue the girl. Ledger’s role was recast with Johnny Depp, Jude Law and Colin Farrell portraying physically changed transformations of Ledger’s character as he travels through different dimensions.

Telly Visions: Anneke Wills

Despite the four decades that separate them, Anneke Wills and Billie Piper would have rather a lot to talk about if they ever met.

For starters, they are both former child stars who have played Doctor Who's female sidekick. They both won over fans of the sci-fi series with their blonde hair and thick dark lashes. And after closing the Tardis door for the last time, both turned their noses up at Hollywood.

But while 23-year-old Billie bowed out with a new £250,000 BBC role and a six-figure deal to write her autobiography, life wasn't quite so kind to Anneke.

Had anyone ever asked the Sixties star to pen her life story, they would have unveiled an astonishing tale of love and loss a thousand times more remarkable than that of former teen pop star Billie. While Billie recalls the details of her relatively brief life, Anneke is living like a hermit in a remote two-bedroom cottage on the edge of Dartmoor.

She survives on a tiny pension and knows an awful lot about fame and its pitfalls. 'If I could meet Billie now,' she says, 'I'd tell her to take the money and run. Life never quite turns out as you expect it.'

Anyone seeing the reclusive, bespectacled silver blonde woman pottering around her local Devonshire village would find it hard to believe that in her day, Anneke was at the zenith of 1960s celebrity London. Or that she was thrown out of Rada at 17 for 'behaving badly' with Edward Fox. Or that at just 18 she was pregnant with Anthony Newley's child and forced to abort it when he left her for Joan Collins.

Today, Anneke rarely goes out. She is at her happiest tending her vegetables. In a quiet corner of her garden, she has a bathtub set beneath a canopy of trees which is connected up to the kitchen sink by a hose. On summer mornings, she lies in the warm water, taking in the glorious view across the moors and reflecting on the astonishing events of her life.

The truth is that unlike Billie, who has apparently walked away from her youthful marriage to Chris Evans emotionally unscathed, the men in Anneke's life have always been her downfall. As she puts it: 'My heart has been broken several times. I have always been attracted to men who are extremely talented, beautiful and absolute bastards.'

From the start, Anneke's life was like something out of a film. The daughter of a Dutch-born Parisian catwalk model and a Harrow-educated artist descended from Elizabethan sea lord Sir Richard Grenville, she was born in 1941 in a private nursing home near Pinewood Studios. Her parents Anna and Alaric Willys (she later changed her name to Wills) had planned to buy a little house in the South of France but war in Europe put a stop to that.

Alaric, whose gambling left the family in severe debt, became a captain in the British Army and an absent figure. With no money, her mother took on a string of jobs - companion to a blind aristocrat, gardener, teacher - moving Anneke and her brother Robin around the country several times.

At the end of the war, Anna had saved a tidy sum. When Anneke's father returned, she gave it to him and he promptly fled to South Africa with his new lover.

'He left a ten-shilling note on my pillow,' recalls Anneke.

Her nomadic, bohemian childhood continued. In 1952, when she was 11 and living on a houseboat in Bray, Berkshire, she won her first role in a film called Child's Play and gave her £9 fee to her mother.

'I knew then I wanted to be an actor,' she says. 'All the other children in the film, including Peter Sallis (of Last Of The Summer Wine and Wallace and Gromit fame), were going on to drama school and I told my mother I wanted to go, too.'

She studied drama at the Arts Educational School in London and, with the pretty blonde elfin looks inherited from her mother, became one of the most employed child actresses of her generation. Early roles included a part as Roberta in the first TV version of The Railway Children in 1957.

Rada followed at 17, but she was already fast establishing her reputation as a wild child. She lost her virginity at 14 to 'a man who grabbed me in a corridor at a party'. She adds: 'I remember looking in the mirror afterwards to see if I looked any different. I knew what I was doing. I was searching for love. I wanted lots of love.'

One of her early boyfriends was Daphne du Maurier's son, Kits Browning. But Edward Fox, a year above her at Rada, was the first to steal her heart. Their relationship and her wilful attitude to staff resulted in her being asked to leave. They continued their relationship for about a year. She was flying home from Ireland after filming for four weeks with Michael Winner in 1958 when she picked up a newspaper and read that Edward had married actress Tracey Reed.

'My heart was broken,' she says. It was not for the last time. She met Anthony Newley during the filming of his cult TV series The Strange World Of Gurney Slade - she was playing one of his fantasy women.

'He took me by the hand and said: "Come on, Wills darling. You're coming home with me."'

Soon she was living in his London flat, along with Newley's mother, Grace, and his manager. 'It was pretty daring at the time,' admits Anneke. 'But I adored him. He was the most beautiful, talented, funny, sweet man. I couldn't resist him.'

During their year-and-a-half-long relationship, she helped him work on his musical Stop The World - I Want To Get Off.

'They were the happiest times,' she says, 'sitting by the piano writing songs together and I had my own little room as a studio where I could paint - mainly pictures of him and me.'

She knew he was unfaithful, but says: 'He made sure it wasn't under my nose and our little life was kept apart from all that.'

When Anneke discovered at 18 that she was pregnant, Newley took her by the hand and said: 'Darling, don't worry. I'll look after you. You'll have to clean out your studio and turn it into a nursery.'

'I was in heaven,' says Anneke. 'I started throwing myself into the earth mother role.'

Not long after that, Newley left to work in the U.S. and met Joan Collins. The first Anneke knew about it was when she found a telephone message scribbled on a pad in his manager's office. It said: 'Get Wills aborted.'

Abortion

She recalls being taken by Newley's manager to see the two psychiatrists necessary to agree to an abortion.

'No expense was spared,' she says bitterly. 'I was in shock, absolutely heart-broken. I didn't know why he had changed his mind.'

When she finally booked into a clinic in Hampstead for a Caesarean abortion at four-and-a-half months pregnant, she remembers taking a doll with her.

'It was ghastly,' she says. 'I was sobbing my eyes out.'

She moved in with her brother Robin at a flat in Paddington, but when Newley returned to London, she went round to their former home to confront him.

'There were pictures of Joan everywhere,' she says. 'It was obvious then what had happened.'

But despite abandoning her in the most cold-hearted way imaginable, Newley continued to see Anneke. 'He turned up at the flat in the middle of the night throwing stones up at the window,' she says. 'He never stopped loving me. Joan didn't know anything about it.

'There was one amusing incident when we were both having our hair cut at Vidal Sassoon - I realised with horror that Joan was sitting the other side of the mirror. Vidal was loving the drama of it. He said: "So how is Tony, Anneke?"'

Anneke felt no guilt about Joan, instead revelling in the opportunity to get her own back on the woman who had lured away her love. Within months she was pregnant again and determined this time that no one would take her baby.

'I wrote to Tony in New York and told him. I said: "It's my baby and I am not going to claim anything or mention your name. This is my baby and my life."'

By this time, while filming one of the Edgar Wallace mystery series, she had met Michael Gough, the actor who would later play Alfred the butler in four Batman films.

She was pregnant and in need of somewhere to stay and he offered her a room in his house.

'Mick absolutely loved babies,' she says. 'He wanted lots and lots. He let me have a little room and we fell in love. It didn't matter to him that I was pregnant.'

After Gough divorced his second wife, they married at Fulham register office on Valentine's Day 1965. Her daughter Polly, later adopted by Gough, had already been born and Anneke, then 21, was already pregnant again with their son, Jasper.

A year later, she was offered her role as Polly in Doctor Who, earning £90 a week - equivalent now to about £1,000 a week. It seemed to her that life couldn't have been more perfect.

'I loved Doctor Who,' she says. 'I took lessons on how to do the perfect scream without damaging my voice. I was the first sexy companion. My eyelashes were longer than my skirts.

'William Hartnell (the first Doctor) was pretty intimidating to work with, but when he was succeeded by Patrick Troughton it was so much fun.'

Even so, she confidently turned down a second series for fear of being typecast and went on to play the assistant to Anthony Quayle's criminologist in the hit series The Strange Report.

Little did she know that her professional acting career was rapidly drawing to a close.

'They were planning to film the second series in Hollywood,' she explains.

'I had two children and a husband, there was no way I could go.

'Perhaps it would be different today, but there was no way Mick would have come to Hollywood with me. I had to make a choice, but really there was no choice.'

Idyllic

Instead she travelled with Gough to Norfolk, where he was filming The Go Between with Julie Christie and Alan Bates. She found an idyllic Elizabethan farmhouse which they bought and she threw herself into motherhood and gardening.

For years they were happy, but when Gough started work at the National Theatre and returned to Norfolk only at weekends, the cracks in their marriage began to show.

'I was living a very earth mother lifestyle,' she says, 'while Mick was very theatrical and thespian. He had a terrible eye for the ladies. He started coming home less and less and we were having terrible rows.

'I had actually got what everybody said was the perfect formula for happiness - I had the husband, career, the two children and a lovely home. It should have equalled happiness, but it didn't. I felt so alone.

'For two years, I tried to keep it together. I thought I could still be Mrs Gough and an individual. But I was growing away from being his dolly bird. I was becoming a woman.'

The evening they agreed to divorce, she says, they went to bed, cried and held each other. 'We loved each other,' she says smiling. 'But we knew we couldn't continue to make each other so unhappy.'

Like Billie, who recently said she wouldn't take a penny of her ex-husband's millions, Anneke also walked away from her marriage empty-handed.

'Mick used to seethe about giving money to his first two wives,' she says. 'I told him I didn't want a penny. I said I'd rather be friends.'

In fact, what Anneke did next left friends thinking she'd gone slightly mad. While taking a course in meditation in London, she heard the controversial spiritual figure Bhagwan Shree Rajneesh.

Leaving behind her 14-year-old daughter Polly, then a boarder at one of the Rudolph Steiner schools in East Sussex, she took 12-year-old Jasper to Poona in India, donned the orange robes of Bhagwan's cult followers and joined his ashram where free love was the order of the day.

'For the first few nights I cried into my pillow,' she says. 'I'd swapped my wonderful home for a mattress in a communal dormitory.

'But there were some wonderful people there - including Terence Stamp. I was a bit bored by the free love thing. I'd had enough of all that. It was the meditation I was interested in.'

She stayed from 1975 to 1981 - at one stage spending ten days blindfolded on a cushion. Later she followed Bhagwan and his disciples to a ranch in Oregon, then to Vancouver where she scraped a living cleaning houses.

It was while she was there, in December 1982, that Gough phoned to tell her that Polly, recently engaged to be married, had been killed in a car crash with her bridesmaid-to-be.

'It was gut-wrenching,' she says. 'She was about to marry a farmer's son, a lovely boy. She had her whole future ahead of her.

'She was driving home and her car hit a patch of ice and skidded into a ditch. She and her friend drowned.'

Perhaps even more poignantly, Polly died never knowing that Newley was her father. 'We never told her,' says Anneke. 'At what point do you tell a child that? Mick had adopted her. She was ours.'

She told her son Jasper, now a photographer at Sotheby's, the truth about Polly's paternity only last year. Anneke adds: 'He listened and he said: "It's no big deal."'

Newley died in 1999, without ever discussing the fact that Polly was his child with Anneke.

When her daughter was still alive, Anneke met up with Newley in New York when Gough was on stage there. 'We had dinner,' she says. 'He showed me pictures of Tara and Sacha, his children with Joan. I showed him pictures of Polly.

'He said she was beautiful, but that was it. We cooed over each other's children. It didn't feel strange to me. I always thought of Polly as mine and Mick's.

'I was devastated to lose her but I always feel that she is here with me.'

Before she finally found peace in Devon, Anneke's life was to take a few more twists and turns.

After Polly's funeral, she returned to America, paid a man $1,000 to marry her so she could get a Green Card and set up her own interior design business.

'It was very common for followers of Bhagwan to do that so we could stay in Oregon,' she explains. 'It lasted as long as it took to get the paperwork stamped - I can't even remember what he was called.'

At 50, Anneke fell in love for the last time - with a 35-year-old deep-sea diver and marine biologist. They married in 1993 in Hornby Island, Canada, where she was living in a community of artists and running an amateur dramatics group.

But after Anneke remortgaged her house to pay for him to go to drama school, he left her for a 23-year-old fellow student.

'I thought: "This is the last time my heart's going to be broken",' she says. 'I couldn't stand it any more. There have been no men for ten years now. I have no need for anyone else. I am enough in myself.'

She returned to England ten years ago, moving first to a little cottage in Purbeck, Dorset, belonging to Edward Fox, with whom she is still friends; then to Devon four years ago, to a worker's cottage on the edge of a farm.

A portrait of her ancestor Sir Richard Grenville hangs on the wall - a reminder of the roots of her remarkable life.

Her memories could undoubtedly produce several autobiographies. But not surprisingly, after so much turbulence in her life, at 65 she craves only peace now.

'I just love it here completely,' she says. 'I love going to sleep surrounded by cows. Weeks go by and I don't talk to anyone. I am perfectly happy on my own. I don't have a single regret. Out of each heartbreak, you grow.

'Isn't that what life is about?'

The intriguing story of Dr Who's sidekick by BARBARA DAVIES, Daily Mail - Last updated at 10:00, 25 July 2006

Debbie did a Stiff Pilchard

I’m not a Cliff Richard fan! You wouldn’t think there was any need for me to say that. OK, I admit to buying his second Eurovision Song Contest entry, “Power To All Our Friends”, back in the early Seventies in a rare error of judgement but, no, I am not a fan of Sir Cliff. His version of the Lord’s Prayer, with Myleene Klass on backing vocals, is a strong contender for the title of Worst-Ever Single. The English language is notoriously difficult to set to music but this effort is abysmal. Lord only knows how it ever got to Number One but that’s the British record-buying public for you. No taste! Embarrassingly, I now have another confession to make. As of last Saturday, I am now the proud owner of Cliff Richard’s final film, “Take Me High”, which he made in 1973. I can hear you all collectively crying, “We don’t care when it was made! What on earth possessed you?”

Well, please bear with me as I attempt to explain. You may or may not remember but when I started this Journal’s “Telly Visions” strand, my first choice was “Doctor Who” actress Debbie Watling. In the post, I mentioned “she played the female companion throughout what is my favourite year of the science fiction series”. What I neglected to say is this season is also the most heavily depleted in the BBC archives. Most episodes featuring Deborah, as Victoria Waterfield, were junked simply due to lack of storage space, little realising their future value… and I certainly don’t mean financially to the BBC, but culturally. In the intervening years, we fans of Ms Watling have had to get our fixes of her gorgeousness from wherever we can. And one of those sources was repeat screenings, which now seem to have sadly dried up, of “Take Me High”. Long since deleted on VHS and unavailable commercially on DVD… until the Daily Mail came to the rescue on 25th September and for only 80p!

“Take Me High”, as you probably already suspect, isn’t exactly what you would call essential viewing! It has a pretty good cast that includes Arthur Daley, “Minder” star George Cole, and “Brideshead Revisited” actor Anthony Andrews. Deborah would work with the latter again on television wartime drama “Danger UXB”. “Take Me High”, however, is essentially a vehicle for Cliff, surprisingly written by “Space: 1999” author Christopher Penfold. The plot, such as it is, concerns Tim (no, not me but Mr Richard himself!), a successfully-ambitious young financier working for a London Merchant bank. But, even his happy-go-lucky attitude is severely jolted when he is sent to Birmingham instead of the promised New York for his posting! Comedy, romance and songs follow when the enterprising bank manager helps an unsuccessful restaurant compete with its rivals by introducing a new fast food - the Brumburger! Don’t ask… just be thankful that at least these 87 minutes of Debbie have survived the snip!!

Telly Visions: Sophia Myles

When the BBC run a themed evening, the schedule often includes no more than two programmes related to the chosen subject! So, with this criterion in mind, Monday night is Sophia Myles night!! First of all, you can see her on BBC Three at 7:45pm, straight after “Merlin”, in yet another repeat showing of an early David Tennant episode of “Doctor Who”, “The Girl in the Fireplace”. The story, as you probably all know, is written by Steven Moffat, currently trying to sell the next season of “Doctor Who” to fans in two halves of seven episodes from Easter with the remaining six to air in the Autumn, and stars Sophia, rather elegantly, in the title role of Madame De Pompadour. I think she fits neatly into the Kate Winslet mould of actresses, which isn’t intended as a criticism but a compliment. There probably isn’t a better example to showcase what she does best, than this episode, although I do think the story itself is a little overrated. Maybe her role as Lady Penelope Creighton-Ward, in Jonathan Frakes’s awful live-action version of Gerry Anderson’s “Thunderbirds”, is another fine example of Ms Myles playing posh totty!

We’ve seen Sophia on our screens all too occasionally over recent years. She was in a reasonably memorable version of “Dracula”, broadcast later in the same year as her “Doctor Who” episode during the Christmas season of 2006. Marc Warren played the Count with Sophia Myles one of his conquests, Lucy. Her innocent friend, Mina, was portrayed by Stephanie Leonidas. Timothy Spall’s son, Rafe, brought solicitor Jonathan Harker to life, so to speak! He travels to Transylvania to sell Dracula a London property but never returns hence the arrival of “Poirot” actor David Suchet as archrival Abraham Van Helsing. This one-off special possibly helped secure Sophia a leading role in the short-lived Stateside vampire-show “Moonlight”. At least it ran for a full season! Michelle Ryan wasn’t as lucky with “Bionic Woman” while Tennant’s legal eagle comedy didn’t progress beyond pilot stage. Anyway, the lovely lady in question has returned to Blighty and can be seen afresh as agent Beth, alongside Peter Firth as Section D boss Harry Pearce, avenging the death of Ros Myers, together with Richard Armitage as Lucas, in the opening episode of Series Nine of “Spooks”, on BBC One at 9pm, the second of her two appearances this coming Monday evening.

Telly Visions Special: Michelle Ryan

This is an extra post for fans of Michelle Ryan mainly to let you know she will be appearing on BBC Two this Sunday morning, at 10am, as a guest on “Something for the Weekend”. Not quite sure what she’s there to promote but I’ve heard she may be returning to “EastEnders”. You’ll probably have to put up with Tim Lovejoy’s endless waffle on football but you can always leave the programme on in the background until the lovely Michelle’s appearance!

You’ve probably realised by now - my new blog-header kinda gives it away - that I enjoyed last year’s “Doctor Who” Easter Special, “Planet of the Dead”. I expected to enjoy November’s “The Waters of Mars” more, being horror based and directed by Graeme Harper, but preferred the rapport between the two leads on the red bus to the comedy robot on the red planet! Due to the prominence of said bus, “Planet of the Dead” reminded me of the Sylvester McCoy adventure “Delta and the Bannermen”, for which I’ve always held a soft spot. Both stories are great fun. However, I suspect Michelle’s episode was probably more influenced by “The Mummy Returns”. I thought David Tennant and Michelle Ryan worked extraordinarily well together and, like the relationship between Peter Davison’s Fifth Doctor and Nicola Bryant’s Peri in “The Caves of Androzani”, they left me wanting more…

Michelle is building quite a reputation for herself in the fantasy genre altogether. What with a returning role, playing a villainess, in the first series of “Merlin”, an aborted attempt, after eight episodes, to revive the “Bionic Woman”, and as one of the protagonists in Steven Moffat’s “Jekyll” it would be good to see her continue in this vein rather than return to soap land. It may be a question of needs must but that would be a shame for this fine actress. Her turn in corset drama “Mansfield Park”, alongside Billie Piper, is also worth a mention. Support Miss Ryan on Sunday!

Telly Visions: Ruth Wilson

It seems a little ironic that, a few years ago, Ruth Wilson made her name playing plain “Jane Eyre” when she is clearly one of the best-looking actresses working in television today! It’s the long red hair, searing eyes, and that thing she does with her lips that make her so striking. More than a regular femme fatale!! However, with the use of theatrical cosmetics, and unflattering costumes, an actor can be made to appear dowdy where, in the everyday world, makeup would be applied to enhance one’s appearance. It seems a shame to go out of the way to make a beautiful girl look less pretty. Jane Eyre, the character, is renowned for her inner beauty but television, being mainly a visual medium, has to express this loveliness outwardly so Ruth Wilson seems perfectly cast.

I discovered recently that Ruth and I have a number of things in common. Before her breakthrough role, she read history at Nottingham University. This is the same establishment of further education I attended, though my subject was music. Whilst there she participated in amateur dramatics, as some of us do with a theatrical inclination! If we ever cross paths at least we’ll have something to talk about!! She was born in the same month as me so we’re both Capricorns. And, she’s also a big fan of American soap-cum-murder-mystery “Twin Peaks”. That revelation may go some of the way to explain why she took one of her most recent roles…

Ruth Wilson is currently appearing in two television series. On ITV1 she is 313, appearing alongside Sir Ian McKellen in the six-part remake of the 1967 cult classic “The Prisoner”. She says she took the part because of similarities to David Lynch’s earlier surreal television series “Twin Peaks”. In last Saturday’s episode, “Schizoid”, Bill Gallagher, screenwriter of the new version of “The Prisoner”, even went so far as to quote “Twin Peaks” delight of food stuffs. Perhaps it was that which made Ruth think of her childhood favourite. I’m not sure how well the new series works. It quotes the original’s catchphrases in abundance but is colder and less colourful. The interiors of Number Two’s residence, for example, are shot in a manner similar to “Blade Runner”. It may all be going on in his wife’s medicated mind but Sir Ian assures us that, unlike the end of the original series, everything will be explained in this week’s final episode.

On BBC One Ruth is playing Alice Morgan, a psychopathic genius who has murdered her parents, in the six-part classy crime thriller “Luther”. Detective John Luther is played by Idris Elba while a whole host of famous names pop up throughout the run. Eighth “Doctor Who” Paul McGann comes to blows with the lead in the first episode while Third Doctor Jon Pertwee’s son Sean battles the police from within his prison cell in the following instalment. You may recognise Suzie (“Torchwood”) Costello actress Indira Varma as Luther’s wife with whom McGann’s character is having an affair. There’s a marvellously stylish moment, near the end of part one, where Luther is holding Alice over a bridge and she invites him to “kiss me, kill me”! He should’ve reluctantly unhanded Ruth at that moment and said “be seeing you”!!

Telly Visions: Eliza Dushku

Hello, Dolly! Eliza Dushku first aroused the interest of the viewing public playing Arnold Schwarzenegger’s young daughter, straddled across the nose cone of a Harrier Jump Jet, in James Cameron’s James Bond-esque “True Lies”. That’s a pretty titanic start to anyone’s career! However, the actress has really made her name working in American television. It’s probably fair to say that Miss Dushku became more of a household name when she became a recurring character, a semi-regular as they’re known in the television industry, in Joss Whedon’s “Buffy, the Vampire Slayer” and its spin-off series “Angel”, playing a violently-wayward member of the Scooby-gang.

From a supporting role in “Buffy”, Eliza has gone on to play the lead in not one but two US series. First up was “Tru Calling” in which she inherits her mother’s gift for saving lives through reliving days at a deceased’s request. “Groundhog Day” with a pretty girl at its centre. Sounds an unlikely concept for an ongoing show and sometimes it works brilliantly, others not so. Tru works at a morgue, whilst studying to become a doctor, and each episode a dead body will suddenly turn to her from the slab and cry “help me”! The show ran for two seasons but the second was cut short. People lose interest very easily these days!! Anyone curious in seeing what it’s all about, for themselves, can find repeats on Sky Three (Freeview 11).

Reunited with Joss Whedon, Eliza Dushku is currently starring, as programmable agent Echo, in the unusual Sci-fi adventure series “Dollhouse”. Already broadcast in the States, the show returned to British television, again on ITV4 (Freeview 24), for its second season, on Wednesday, 28th April, 2010. In the first episode, “Vows” (as in wedding), after her encounter with Alpha, Echo has seemingly recovered. But, as she embarks on a long-term engagement, she begins to behave strangely. And, in the next episode, “Instinct” (as in maternal), Topher’s extraordinary abilities backfire when Echo takes too strongly to her new role as mother to a newborn baby and runs away with the child.

If you’re familiar with “Joe 90”, Whedon’s new show plays like a sexed-up version of Gerry Anderson’s Sixties’ Supermarionation series, with the added attraction of supermodels rather than models! But, the characterisations in “Dollhouse” are even less-well developed than those of either their earlier wooden counterparts or the figures of the actresses inhabiting the American show!! Still, over the course of the next thirteen weeks, I’m looking forward to uncovering any evolution of Echo and her gloriously well-endowed bunny girls!!!

Dreamy Lady

The Second Season of “The Tudors” concluded recently on BBC Two and was promptly released on DVD on Monday, as was a set containing both last year’s run together with this latest offering. The total of twenty episodes reached a grisly culmination with the heartless execution of Henry VIII’s second wife Anne Boleyn. I think this was a shame! And, for all her stoicism, I expect she probably thought the same!!

Why do you think Anne’s death was a shame, Tim, I hear you all cry? Well, it means actress Natalie Dormer won’t be in the next series! History should’ve been rewritten in order to accommodate a lady with such gorgeous eyes. Some may think them narrow but that is part of her beauty. She positively smoulders.

Even when in danger of losing it, the girl kept her head! The doomed royal had Hans Matheson hear her last confession… that she hadn’t actually done anything wrong!!

Ironically, Hans, as the dastardly and corrupting Alec d’Urberville, in “Tess of the d’Urbervilles”, had donned preacher’s robes over on BBC One, whereupon one of our heroine’s milkmaid chums comments that he doesn’t look much like a man of the cloth…

Obviously, the producers of “The Tudors” thought otherwise. But, Hans could do nothing to save the lovely Natalie, despite the repeated postponement of her wanton slaying due to the late arrival of the axe man. And, I’m not talking guitar heroes here!

Telly Visions: Kristen Bell

“Heroes” seems to have the knack of casting attractive female leads. It’s better at it than, say, the revamped “Doctor Who”! Ouch!! But, it’s true. The obvious names to mention, regarding the American show, are Hayden Panettiere and Ali Larter. And, I’ve already discussed Nora Zehetner and Katie Carr in previous posts. For me, I’m sorry to say, Billie Piper will always be the female forerunner of Lil’ Chris! Although, admittedly, the Swindon lass is nowhere near as cringe worthy and tedious as that pint-sized pin brain. I can imagine Russell T. Davies mistakenly casting him, in the role of companion, had the executive producer stayed on with the Brit series. And, that would’ve been a fate worse than Adric!

The latest sex kitten on the “Heroes” block is Kristen Bell, playing cunning little vixen Elle Bishop, introduced during Season Two, and I’m pleased to see she’s to continue into the next season. I was already aware of the actress from “Veronica Mars”, which I’d wanted to see but have only recently started watching. Kristen played the title role for three seasons before it was cancelled due to poor viewing figures. Joss Whedon, best known as creator and lead writer of “Buffy the Vampire Slayer”, praised the writing standard of “Veronica Mars” and the pilot episode is certainly a clever little construct.

Following the cancellation of “Veronica Mars”, Kristen voiced an interest in appearing in “Heroes”, because she was a fan prior to being cast. She’s also friends with future Mr. Spock Zachary Quinto (Sylar), as well as Hayden, which no doubt wasn’t going to go against her! For my money though, Kristen has a far more interesting face than her cheerleader co-star. That’s not to say I don’t like Hayden. I do. But, Kristen is just that little bit more quirky. It was Ms. Bell’s aspect that had me interested in “Veronica Mars” in the first place! Here’s hoping “Volume Three: Villains”, of “Heroes”, will be saved by the Bell!!

Telly Visions: Katie Carr

There’s a new babe on the “Heroes” block, this series, and her name is Katie Carr. Actually, there are several new “sweethearts” and, while they are all very pretty, the standout for me is the actress who plays Peter Petrelli’s Irish girlfriend, Caitlin, in six of the eleven episodes. I can forgive her the cod accent of the character’s homeland which, to be honest, I find quite endearing and only serves to make her more cute than she already looks! Katie is in her early thirties and was actually born in London so you might think she’d have a finer grasp of the sound of Ireland but it doesn’t necessarily follow. There are possibly many reasons why the producers of “Heroes” have opted to give all the Irish characters a similar brogue. Sadly, she will only be seen once more in this curtailed, because of the American writers’ strike, second series of the comic-book saga. If you’re interested in seeking out her appearances on the show then they’re in chapters two, three, five through seven, and ten; namely, “Lizards”, “Kindred”, “Fight or Flight”, “The Line”, “Out of Time” and penultimate episode “Truth & Consequences”. I’m also reliably informed she is an underwear model and was the Gossard Girl in Gossard’s advertising campaign of 2002-2003. Last season of “Heroes”, my crush was Nora Zehetner… this time around, it’s most definitely the cuddly Katie Carr!!

Telly Visions: Talulah Riley

I’ve mentioned her before, in passing, but it was over two-and-a-quarter years ago… I even posted her picture to accompany the piece… So, it was good to see Talulah Riley back on our screens last night, in the “Doctor Who” episode “Silence in the Library”, although, sadly, her time in the story was short-lived. You can bet your bottom dollar that if I fancy someone, they’re the first character to be killed off! It happened a couple of years ago with MyAnna Buring, in “The Impossible Planet”, much to my annoyance!! I saw it coming this time, though, as I hadn’t seen Talulah in any of the prepublicity stills accompanying the hype surrounding Steven Moffat’s excellent latest adventure. She wasn’t featured in any of the trailers, either, so I was beginning to think her appearance was nothing more than a myth. In fact, I did notice the actress afterwards, in the accompanying “Doctor Who Confidential” documentary “Shadow Play”, having her photo taken, in costume, in a group shot with the rest of the astronauts. Hopefully, this picture will be made available shortly! There’s an old showbiz adage says “always leave them wanting more” and I suppose this was the case with tasty Talulah! The bizarrely named Miss Evangelista, her character, was reduced to a talking skeleton two thirds into the episode!! Sounds even more grotesque than her name but, believe me, in the context of the narrative, it worked.

Talulah is probably best known for her performance, alongside Donald Sutherland and Brenda Blethyn, as Mary Bennet in the recent movie version of “Pride & Prejudice”. I first came across Miss Riley, though, in an episode of “Agatha Christie’s Marple”, entitled “The Moving Finger”, in which she played the hopelessly lovelorn Megan Hunter to perfection. She certainly made me sit up and take notice, at any rate! Most recently, Talulah (spelling her name with two Ls and an H!) has been seen back on the big screen as sweet schoolgirl Annabelle Fritton, in the remake of “St. Trinian’s”, numbering Gemma Arterton, Lily Cole and Girls Aloud amongst her classmates. Yeah, I know, I seem obsessed with that film of late! But, Talulah does look good in uniform, though I can’t say for sure if she was wearing fishnet stockings and suspenders under her white astronaut costume in “Doctor Who”!! I’d like to think so! I was slightly surprised she’d accepted such a small role considering her steadily increasing credentials. It probably boils down to accepting the parts on offer, plus there is the added prestige of including the show on her CV. Lizo Mzimba, Entertainment Correspondent for BBC News and former long-serving presenter, reporter and assistant producer of CBBC’s “Newsround”, was also complimentary of the twenty-two-year-old’s stint on the episode saying, “Talulah Riley is fantastic as the not too bright Miss Evangelista - she’d make a wonderful and very different companion to the Doctor.” Naturally, I’ve posted some screen caps, on my Jukebox blog, over which you are all invited to ogle!

Telly Visions: Lily Cole - Part Two

Since completing her role in “St. Trinian’s”, model-turned-actress Lily Cole has turned her attention to two other film projects. Work was actually begun on the first of these some fourteen months before landing the part of Polly in the schoolgirl crime caper. Shock-rocker Marilyn Manson, an American visually influenced by the various stage personas of David Bowie, planned to star Cole in his upcoming movie “Phantasmagoria: The Visions of Lewis Carroll” as Alice. Shorts from the movie have been posted on Marilyn’s website and a feature-length film is, supposedly, in pre-production. From the point of view of “Telly Visions”, it would be interesting to see Lily as Alice in that my first choice of actress in this blog series, Deborah Watling, also began her career playing the same character. I wonder how different is Manson’s vision of the subject to that of Dennis Potter’s?!!

The second project, involving Lily, sees her teaming up with former “Monty Python” animator-turned-director Terry Gilliam. She was signed to play the role of Valentina in “The Imaginarium of Doctor Parnassus” scripted by the director with his regular writing partner Charles McKeown. As well as Christopher Plummer and Tom Waits, the film was to have co-starred Heath Ledger. Originally scheduled for a 2009 release, production was postponed after Ledger’s untimely death. Plummer plays Parnassus, an immortal 1,000-year-old leader of a travelling theatre troupe that offers audience members a chance to go beyond reality through a magical mirror in his possession. Waits plays the Devil, with whom the Doctor has done a deal. Cole plays the Doctor’s daughter! (Another one!!) She falls foul of the Devil, when time comes to collect on the arrangement, and the troupe, which is joined by a mysterious outsider named Tony (originally Ledger), embark on a journey through parallel worlds to rescue the girl. Ledger’s role has been recast with Johnny Depp, Jude Law and Colin Farrell portraying physically changed transformations of Ledger’s character as he travels through different dimensions. Very interesting. It sounds not unlike “Doctor Who”, with an added touch of Peter J. Hammond’s recent “Torchwood” episode “From Out of the Rain”!

I hope Terry Gilliam’s film sees completion. Lily has suggested she finally wants to take up her place to read Social and Political Sciences at King’s College, Cambridge, to which she has already twice deferred entry. Education is important and, being an intelligent girl as well as a beautiful one, it would be wise for her not to miss out on such a once-in-a-lifetime opportunity. It would be nice if she could fulfil both and no doubt this creates a dilemma for her. However, she seems to have already made the decision to put both her modelling and film careers on hold in pursuit of academic excellence. I must say, I don’t blame her. With the news that the go-ahead has just been given for a further instalment of “St. Trinian’s”, it would also be good to see her returning to the part of geeky-but-pretty Polly. I look forward to seeing how it all turns out for Lily.

Telly Visions: Lily Cole

I’ll be perfectly honest and tell you I could look at pictures of this girl all day - with or without her clothes on! She’s simply stunning. The supermodel type doesn’t usually appeal to me but Lily Cole is different. She has that pixie/elfin quality about her face that I, and many others, find so charming in Kate Bush. The shocking-red hair is, also, definitely an asset. And, Lily’s perfectly-shaped boobs aren’t exactly going to put anyone off either! She’s been modelling for about five years. The story goes that, when she was fourteen, she was walking through the streets of Soho, after a hamburger with friends, when a talent scout approached her. Fearing she was being chased by “some dodgy guy”, Cole ran. But, after being asked to consider modelling, she accepted and was signed on with Storm Models, the mother agency of supermodels such as Kate Moss. Lily is now one of the models in the Marks and Spencer-clothing advertising campaign, becoming the youngest model ever to participate in a promotion for the line. The Sunday Times stated, last year, that she’s already worth £6 million… and she only turned twenty yesterday!

Lily has started to break out of the modelling world and move into acting. She played Polly in last year’s successful remake of “St. Trinian’s”, alongside Rupert Everett, Colin Firth and new Bond girl Gemma Arterton. St. Trinian’s, for those of you who don’t know, is a school for what are generally termed “young ladies”! With its anarchic doctrine of free expression, this wonderful establishment of learning brings together a motley crew of ungovernable girls - posh totty, chavs, emos, geeks and first years - who, using their wit and ingenuity, save the institution from bankruptcy. Sounds like the ideal place for Kerry Katona! The bespectacled Polly is in the geek clique, though doesn’t Lily look lovely with glasses. However, don’t take my word for it… I’ve posted a selection of ten screen caps, on my Jukebox blog, in order for you to make up your own minds concerning the leggy lassie. Lily appeared in the “Comic Relief” video of “Walk This Way” with Girls Aloud and, conversely, the girl group appear as schoolgirls in the film! If the thought of all those stocking-and-suspender clad legs is getting too much, “St. Trinian’s” is now available to own on DVD!!!

Telly Visions: Georgia Moffett

As I’m sure you’re all aware, Georgia Elizabeth Moffett is the daughter of the fifth actor to play the Doctor in “Doctor Who”, Peter Davison, and the actress who played Trillian in “The Hitch Hikers Guide to the Galaxy”, Sandra Dickinson. Georgia was born on Christmas Day, 1984, on the eve of her parents’ sixth wedding anniversary! After David Troughton, Private Moor in episode six of second Doctor adventure “The War Games” and King Peladon in Jon Pertwee/Ice Warrior escapade “The Curse of Peladon”, Miss Moffett is the second child of an actor who played the Doctor to have a speaking role in “Doctor Who”. She will be appearing in this weekend’s episode, in the pivotal part of Jenny. Her character is presumed to be none other than “The Doctor’s Daughter” - irony duly noted - and, no doubt, destined to become this year’s Sally Sparrow, in that she will be seen as the perfect companion who never was! Adding fuel to the fire, it’s rumoured she originally auditioned for the role of Rose Tyler!! But, then, every young actress under the sun seems to have applied for that particular job!!!

I expect it must prey on Georgia’s nerves, to a certain extent, being the offspring of other famous thespians, if her achievements are continually undermined and dismissed because of that very fact. She has already proved herself independent of her parents, certainly in the acting profession, in a returning role in ITV cop drama “The Bill”. Over a period of more than two years, from the end of 2002 to the beginning of 2005, Georgia played DS Samantha Nixon’s daughter, Abigail, on and off for a total of twenty-five episodes. “The Tripods” actress Lisa Maxwell played her mum so the science fiction connection, in a way, arrives full circle this weekend! Despite still only being twenty-three years old, last year Georgia worked with her real-life dad, playing Tanya, on his series “The Last Detective”, in an episode entitled “Once Upon a Time on the Westway”, in which Davison stars as DC “Dangerous” Davies! The young actress says Peter still hasn’t completely grasped that she’s actually in the same series he finished making nearly a quarter of a century ago! This Saturday, though, for one night only, well - apart from repeats, a different “Doctor” gets to be Georgia’s father!! But, is David Tennant really her dad?