He’s shagged Susan Lynch, stolen a bus (causing pensioners to miss their regular game of bingo!), blown up a house (using its central heating system!!) at precisely 6pm and much, much worse in Cracker… attempted to blow up a London railway terminus, as a terrorist in Spooks… mutinied, then had his back flayed for his trouble, in Hornblower… and, if all that wasn’t enough, he wasn’t a particularly pleasant character in Survivors either… but Andrew Tiernan never short changes the viewer. Andy, as he was credited in this week’s episode of Doctor Who, always turns in a bloody good performance. He played the landlord of a rundown block of flats in Bristol, demanding rent money with the menacing aid of his bruiser-of-a-dog, Bernard! Andy had many of the story’s best lines and moments, bemoaning there was nothing to watch on television except thirty-year-old repeats of Bergerac. Lord knows why he was tuned into Yesterday if he was after the boxing! He brilliantly got sucked into his mangy old carpet much to the total disinterest of his pet but, best of all, was his transformation into one of the demon dolls! Possibly the finest use of special effects since Richard Wilson grew a gasmask in the first series.
Then there was Daniel Mays, whose career continues to be in the ascendancy. ITV3 have been running the 2007 movie Atonement, in which he co-stars with James McAvoy, a romantic drama where a man is accused of a rape he didn’t commit. More recently, Daniel attempted to sort out Gene Hunt’s nick, not the easiest task you can imagine, in the third-and-final series of Ashes To Ashes before being banished to the outer reaches of the solar system in Survivors-style drama Outcasts. In Doctor Who he played Alex, father to a little boy, George, unsure how to connect with his son’s phobia of the dark - when all the scary things come out to play. Boy George turned out not only to be adopted but also alien, living his life in fear of rejection. The coming together of father and child, at the story’s climax, was a pure Railway Children moment, and all the more moving for that! If you’re going to “borrow” then do it from the best!!
And the man who wrote Night Terrors, which may well turn out to be this year’s finest episode of Doctor Who… well, all his previous scripts have been set in the past whereas his latest is set in the present day. He tackled Dickens in The Unquiet Dead, when the novelist was in the last year of his life and about to embark on The Mystery Of Edwin Drood, while Christopher Eccleston was The Doctor… bullying in The Idiot’s Lantern, set during the Queen’s Coronation in 1953, was his next choice of subject after David Tennant had taken over the role… and, after a few years away from writing for Doctor Who, he returned to the fold, last year, to pen Victory Of The Daleks, in which the pepper pots from Skaro were outgunned by Matt Smith, with a great deal of help from the forces and spitfires assembled by a certain PM Winston Churchill. I’m talking about Mark Gatiss, author of all three, whose latest (fourth) instalment of everyone’s favourite science fiction series also included the death of a dear, little old lady by multiple black bin bags! Maybe it was because she looked like Patricia Hayes whilst sounding like Frank Spencer?! When Steven Moffat relinquishes his post as show runner, and assuming he wants the responsibility of the top job, surely Mark is his natural successor.
Then there was Daniel Mays, whose career continues to be in the ascendancy. ITV3 have been running the 2007 movie Atonement, in which he co-stars with James McAvoy, a romantic drama where a man is accused of a rape he didn’t commit. More recently, Daniel attempted to sort out Gene Hunt’s nick, not the easiest task you can imagine, in the third-and-final series of Ashes To Ashes before being banished to the outer reaches of the solar system in Survivors-style drama Outcasts. In Doctor Who he played Alex, father to a little boy, George, unsure how to connect with his son’s phobia of the dark - when all the scary things come out to play. Boy George turned out not only to be adopted but also alien, living his life in fear of rejection. The coming together of father and child, at the story’s climax, was a pure Railway Children moment, and all the more moving for that! If you’re going to “borrow” then do it from the best!!
And the man who wrote Night Terrors, which may well turn out to be this year’s finest episode of Doctor Who… well, all his previous scripts have been set in the past whereas his latest is set in the present day. He tackled Dickens in The Unquiet Dead, when the novelist was in the last year of his life and about to embark on The Mystery Of Edwin Drood, while Christopher Eccleston was The Doctor… bullying in The Idiot’s Lantern, set during the Queen’s Coronation in 1953, was his next choice of subject after David Tennant had taken over the role… and, after a few years away from writing for Doctor Who, he returned to the fold, last year, to pen Victory Of The Daleks, in which the pepper pots from Skaro were outgunned by Matt Smith, with a great deal of help from the forces and spitfires assembled by a certain PM Winston Churchill. I’m talking about Mark Gatiss, author of all three, whose latest (fourth) instalment of everyone’s favourite science fiction series also included the death of a dear, little old lady by multiple black bin bags! Maybe it was because she looked like Patricia Hayes whilst sounding like Frank Spencer?! When Steven Moffat relinquishes his post as show runner, and assuming he wants the responsibility of the top job, surely Mark is his natural successor.
