I’ve never been much of a fan of Being Human… until now! I’ve always watched it because I believe in supporting what little telefantasy comes our way. I can only put my change of heart down to the change of cast. Over eight episodes, the Fourth Series - completed on Sunday on the otherwise ghastly BBC Three - dispensed with the entire original cast of vampire Mitchell (Aidan Turner), werewolves Nina (Sinead Keenan) and George (Russell Tovey), and finally ghost Annie (Lenora Crichlow) in favour of new werewolf Tom (Michael Socha), new vampire Hal (Damien Molony), and introducing new ghost Alex (Kate Bracken). I’m hoping that Series Five will see a return of the other new werewolf-in-the-pack Allison (Ellie Kendrick), introduced in my favourite episode of the season, Puppy Love, as a replacement for Nina and partner for Tom. The transitional nature of this series was reminiscent of the Twenty-First Series of Doctor Who, which underwent a similarly radical change of cast… back in 1984! Michael Socha made semi-regular appearances in last year’s run of Being Human and returned - full-time - as lovable as ever, more so. I anticipated Lenora Crichlow’s departure and Kate Bracken looks like being a worthy successor but what really astounded was the performance of Damien Molony, in the light that Hal Yorke is his first television role. The original cast were fine but, for me, the new cast is a marked improvement.
The main plot of this year’s series of Being Human centred around baby Eve, daughter of George and Nina and would-be-saviour of mankind, whom Annie takes it upon herself to mother. Future Eve (Gina Bramhill) has herself killed (as you do) and returns through time, via purgatory (as you do when you’re deceased!), in order to terminate herself as infant because her survival will mean the survival of the vampire species and the end of human civilisation as we know it! Eve is both saviour and nemesis which she flippantly dismisses with the line, “Talk about multitasking!”. This is, of course, the same time paradox set up as in the Jon Pertwee Doctor Who story The Day Of The Daleks and reused in The Terminator franchise but, if you’re going to borrow, you might as well borrow from the best! The real dilemma though is how can anyone bring it upon themselves to kill a defenceless infant despite the knowledge that, otherwise, they will initiate the downfall of mankind. This is also the essential premise of the Tom Baker Doctor Who story Genesis Of The Daleks. In Being Human, there is no cop-out! Writer, and series creator, Toby Whithouse is clearly a man with balls of steel!! The baby dies. It’s not dwelt on excessively but, nevertheless, the infant passes over to the other side, along with Annie, to rejoin its natural parents and reunite the original house-sharing quartet.
Although much humour is to be had over the last two months of Being Human, most - admittedly - of a very dark nature, it could be argued that the series does take an awfully long time for the arc to reach the point at which it can begin to resolve itself. It isn’t until the end of the penultimate episode that the vampire-threat-en-masse The Old Ones arrive, led by the ever-reliable Mark Gatiss (perhaps typecast after the Doctor Who story The Lazarus Experiment?), as Mr Snow, at which point he utters just four words, “Well then… who’s hungry?”. Compare this with the three-part Sylvester McCoy Doctor Who story Survival, from 1989, in which the Doctor comes face-to-face with his nemesis The Master after just twenty-five minutes! The arch-enemy turns to the Doctor and wryly exclaims, “Why Doctor… what an unexpected pleasure!”. It takes seven of its eight hours for Series Four of Being Human to arrive at the same point! The Doctor Who story runs to just an hour-and-a-quarter, in total, so speed is of the essence! Usually, I prefer my science fiction/fantasy straight but, in the case of Being Human, I like the humour and adore the domesticity. I can believe in it. For that reason, my preference is for the first three-quarters of this series over the last two instalments in which events reverted to the darker nature of Series Two and Three after, earlier, rediscovering the humour of the First!
The main plot of this year’s series of Being Human centred around baby Eve, daughter of George and Nina and would-be-saviour of mankind, whom Annie takes it upon herself to mother. Future Eve (Gina Bramhill) has herself killed (as you do) and returns through time, via purgatory (as you do when you’re deceased!), in order to terminate herself as infant because her survival will mean the survival of the vampire species and the end of human civilisation as we know it! Eve is both saviour and nemesis which she flippantly dismisses with the line, “Talk about multitasking!”. This is, of course, the same time paradox set up as in the Jon Pertwee Doctor Who story The Day Of The Daleks and reused in The Terminator franchise but, if you’re going to borrow, you might as well borrow from the best! The real dilemma though is how can anyone bring it upon themselves to kill a defenceless infant despite the knowledge that, otherwise, they will initiate the downfall of mankind. This is also the essential premise of the Tom Baker Doctor Who story Genesis Of The Daleks. In Being Human, there is no cop-out! Writer, and series creator, Toby Whithouse is clearly a man with balls of steel!! The baby dies. It’s not dwelt on excessively but, nevertheless, the infant passes over to the other side, along with Annie, to rejoin its natural parents and reunite the original house-sharing quartet.
Although much humour is to be had over the last two months of Being Human, most - admittedly - of a very dark nature, it could be argued that the series does take an awfully long time for the arc to reach the point at which it can begin to resolve itself. It isn’t until the end of the penultimate episode that the vampire-threat-en-masse The Old Ones arrive, led by the ever-reliable Mark Gatiss (perhaps typecast after the Doctor Who story The Lazarus Experiment?), as Mr Snow, at which point he utters just four words, “Well then… who’s hungry?”. Compare this with the three-part Sylvester McCoy Doctor Who story Survival, from 1989, in which the Doctor comes face-to-face with his nemesis The Master after just twenty-five minutes! The arch-enemy turns to the Doctor and wryly exclaims, “Why Doctor… what an unexpected pleasure!”. It takes seven of its eight hours for Series Four of Being Human to arrive at the same point! The Doctor Who story runs to just an hour-and-a-quarter, in total, so speed is of the essence! Usually, I prefer my science fiction/fantasy straight but, in the case of Being Human, I like the humour and adore the domesticity. I can believe in it. For that reason, my preference is for the first three-quarters of this series over the last two instalments in which events reverted to the darker nature of Series Two and Three after, earlier, rediscovering the humour of the First!
