Visit the official Doctor Who website

Visit the official Doctor Who website
Look to the future

Asylum seekers...

Asylum seekers...
Refuge of the Daleks

Doctor Who picture resource

Doctor Who picture resource
Roam the space lanes!

Explore the Doctor Who classic series website

Explore the Doctor Who classic series website
Step back in time

Infiltrate The Hub of Doctor Who spin-off Torchwood

Infiltrate The Hub of Doctor Who spin-off Torchwood
Armed and extremely dangerous

Investigate The Sarah Jane Adventures

Investigate The Sarah Jane Adventures
Fearless in the face of adversity

Call on Dani’s House

Call on Dani’s House
Harmer’s a charmer

Intercept the UFO fabsite

Intercept the UFO fabsite
Defending the Earth against alien invaders!

Uncover the secrets of the Dollhouse

Uncover the secrets of the Dollhouse
Programmable agent Echo exposed!

Hell’s belles

Hell’s belles
Naughty but nice

Love Exposure

Love Exposure
Flash photography!

Primeval portal

Primeval portal
Dressed to kill or damsels in distress?

Charmed, to be sure!

Charmed, to be sure!
The witches of San Francisco

Take on t.A.T.u.

Take on t.A.T.u.
All the way from Moscow

Proceed to the Luther website

Proceed to the Luther website
John and Jenny discuss their next move

DCI Banks is on the case

DCI Banks is on the case
You can bet on it!

On The Grid with Spooks

On The Grid with Spooks
Secret agents of Section D

Bridge to Hustle

Bridge to Hustle
Shady characters

Life on Ashes To Ashes

Life on Ashes To Ashes
Coppers with a chequered past

Claire’s no Exile

Claire’s no Exile
Goose steps

Vexed is back on the beat!

Vexed is back on the beat!
Mismatched DI Armstrong and bright fast-tracker Georgina Dixon

Medium, both super and natural

Medium, both super and natural
Open the door to your dreams

Who’s that girl? (350-picture Slideshow)

Sunday 18 February 2007

Byron Ferrari, Bogart of Rock!


I’ve been blogging now for nearly two years and I realised I’ve never written a post entirely devoted to my all-time favourite pop/rock singer and band, namely Bryan Ferry and Roxy Music. It seems like a good moment to do so as I believe a new Roxy album is imminent as opposed to another solo album, although either is always an appreciated addition to my music collection. The last solo album was “Frantic” which, rightly or wrongly, and knowing Bryan’s penchant for cinema, I’ve always assumed was named after the Roman Polanski movie starring Harrison Ford. The last studio Roxy Music album though was “Avalon”, now a quarter century old!

This post is also timely in that it’s an opportunity to let you know that Mr Ferry can be seen in concert on BBC1 this coming Friday at 11.15pm. The listings describe him as ex-Roxy which I can only hope is poor research on the part of that magazine’s compiler. Anyway, if you’re going out, set your VCRs! It’s only fifty minutes long but, nonetheless, very welcome. I do hope he performs some lesser-known songs, even some rarities would be nice, but I’m sure the programme will also include the better known hits such as “Let’s Stick Together” and, of course, “Love is the Drug”. Get ready to click your fingers to, “Late at night, I parked my car, Made my way to the singles bar…”

I could write a book on Roxy Music’s early history as they were as important to me in the Seventies as “Doctor Who” and the puppet shows of Gerry Anderson had been in the Sixties. Back in 1972, everything about the group seemed unusual which is probably what initially attracted me to them. Bryan Ferry was the singer of course, dabbling a little on keyboards, while the rest of the line-up included Phil Manzanera on guitar, Andy Mackay on oboe and saxophone, Brian Eno on synthesiser and Paul Thompson on drums. Roxy had no regular bass player. They had street cred but also an air of sophistication and it was the combination of the two that was so intoxicating.

The band signed to Island records better known as a reggae label! They released their eponymously-titled debut album before the first single. Usually a single is released a fortnight in advance as a promotional trailer for the longer work. And when the single was released, it wasn’t taken from the album. Perhaps not as business-minded back then, Ferry included no singles on either of the first two albums. In fact only four singles can be found on the first five studio albums before the band took a break from recording together. That first 45, “Virginia Plain”, was such a radical departure from anything else around at the time, even Bowie and Bolan, that I was instantly attracted to this sonic explosion.

“Pyjamarama” followed, as did a second album “For Your Pleasure” and indeed it was and still is! This record is regarded as their classic. It contains “Do the Strand” and “Editions of You”, released as a double a-sided single in the rest of Europe, as well as “In Every Dream Home a Heartache” and that’s even before you flip the LP over! It was also the last to feature Brian Eno before he left to pursue a solo career beginning with “Here Come the Warm Jets”. Meanwhile, Bryan Ferry started a solo career, to run alongside the band’s releases, allowing him to record other people’s songs, cover versions - but not the production-line pap normally associated with that term. Bob Dylan’s “A Hard Rain’s A-Gonna Fall” was the debut single taken from the album “These Foolish Things”.

Eddie Jobson of rock band Curved Air was recruited as a replacement for Eno, a more classically accomplished musician and violin and keyboard virtuoso. He was always cited as a proper member of the band but I’m not sure he really wasn’t a session musician. He stayed for the next three albums, “Stranded”, “Country Life” and “Siren”. Johnny Gustafson played bass on these, also, and was definitely a session player as when they toured “Country Life”, for example, ex-King Crimson bassist John Wetton took his place. Ironic, as, pre-Roxy, Bryan failed an audition to join Crimson. “Street Life” and “All I Want is You” were the third and fourth singles, from the third and fourth albums respectively. Two singles were released from “Siren”, “Love is the Drug” and “Both Ends Burning”.

Ferry followed up his first solo album with “Another Time, Another Place”, another record of cover versions but for the title track. Already the differentiating factor between solo and group career was beginning to erode. Two singles were released from this opus, “The In Crowd” and “Smoke Gets in Your Eyes”. This period in Roxy’s history came to a close with a live album, “Viva! Roxy Music”, and a “Greatest Hits” collection including the first two singles on a long-player for the first time. They were reissued as a double a-sided single in the UK. By this time, both Andy Mackay and Phil Manzanera also had solo projects underway so there was much material to keep the enthusiast happy.

Several years passed and Roxy eventually reformed to record three more albums. I caught them live, for a third and final time, on their “Manifesto” tour which they followed up with “Flesh and Blood” and “Avalon”, a highly polished swansong but a far cry from the sound with which they started out. Hits were aplenty including “Trash”, “Dance Away” and “Avalon” but, ironically, considering other people’s songs had previously been the province of Bryan’s solo work, Roxy Music’s only number one was a cover of John Lennon’s “Jealous Guy”! Drummer Paul Thompson had by now departed to run an antique firearms shop leaving the core trio of Bryan, Andy and Phil to conclude the second era of one of the most musically interesting bands of all-time, Roxy Music.

5 comments:

Steve said...

Definitely one of the most idiosyncratic bands ever - but that's a recommendation. I always liked the quirkiness and edginess of their music and performances... that slight feeling that they weren't completely "safe". I always felt that Roxy music were to the UK music scene what European cinema is to the west's film industry...

Andrew Glazebrook said...

I worked with someone who fit Brian Ferry's carpet once !!

Old Cheeser said...

I love "Avalon" although it's a lot more polished than their earlier stuff. "Love is the drug" has a coolness all of its own though.

I also remember buying "Girls and Boys" and "Bete Noire", two of Brian's solo albums. A bit coffee table but still very listenable. Mr Ferry always had a bit of a thing about surrounding himself with model-like, divaesque women in most of his videos. Still does, in fact!

TimeWarden said...

Steve, it was probably their lack of “safeness” that inspired much of the punk and new wave movements that followed glam rock. I’ve always thought of The Stranglers, for example, as the punk Roxy Music! Then, of course, the New Romantics often cited them as an influence. Duran Duran’s bassist John Taylor claimed his band were a cross between Roxy and the Sex Pistols!!

Andrew, no doubt Bryan chose an Axminster!

Simon, “Boys and Girls” was around the time of “Live Aid”, though Bryan’s performance that day wasn’t as well received as Queen’s and particularly Freddie Mercury’s. I remember Bryan having two mics taped together because the sound system hadn’t been sorted out properly prior to the various appearances.

Bryan, himself, cites “The Bride Stripped Bare” as his finest solo album. And, you’re right, he does like to surround himself with beautiful, glamourous, women although not to the detriment of the music. Perhaps, most famously, Jerry Hall (before she hooked up with Mick Jagger) appears in the video of “Let’s Stick Together” and adorns the cover of fifth Roxy Music album “Siren”. She is also the subject of “Prairie Rose”, my favourite song on their fourth album “Country Life”.

Andrew Glazebrook said...

If I remember he said they took ages to fit it as Brian kept them amused telling stories and showing them his studio set up located at his house !