Daleks thwarted!

That elusive and enigmatic figure known only as TimeWarden creeps up stealthfully behind two alien visitors from the planet Skaro in an attempt to prevent the Dalek invasion of Gloucester on September 14 of last year! It turned out the creatures had arrived to promote the BBC Experience and the extermination of innocent bystanders and passers-by was thankfully kept to a minimum!!

Two generations of "Doctor Who" fans!!

This is nephew Chris and myself meeting for the first time last August 27 when we travelled back to the age of steam at Brecon Mountain Railway on one of the great little trains of Wales!

Time Is Up... at least for the time being!

Tonight is the thirteenth and final episode of the first season of "Doctor Who" for almost sixteen years and, for once, a pivotal moment in the programme's history has been preceded with good news. The series had already been recommissioned for a one hour Christmas special and second season of thirteen 45-minute episodes. Then, last Wednesday, at the press screening of the final instalment, it was announced that a second Christmas special, for screening at the end of 2006, and third season of thirteen episodes, to be shown in 2007, have also been commissioned. This means that the BBC have committed themselves now to making a total of at least 28 more episodes!

The benefits of knowing so early on that "Doctor Who" will be in production for the next two years can only be advantageous to the production team. I’m sure Russell T. Davies' mind has already formed ideas about where to take the show beyond next season and, for the fan, it ensures a certain longevity at least, rather than a brief revival followed by sudden death! I suppose some might argue that 41 episodes in total still only constitutes a brief revival when you consider that William Hartnell's first season alone comprised 42 episodes with a further nine made in the first season block for showing at the start of the second year. But the pace of life is different now. Ironically, it was slower then but more were made.

The Sixties was such a creative period not just in television, not just in other artistic arenas such as cinema, and both popular and classical music, but also in the worlds of science. It was the decade in which mankind travelled to the moon using such primitive technology that today the same mission would be considered as needlessly endangering the lives of those brave astronauts. We have better technology in the present time for a return visit but finance prohibits. We also have better technology for producing such shows as "Doctor Who" but unfortunately more bureaucracy controlling the medium. A further irony is that bureaucracy is something the programme itself has warned us about many times! The hope is that bureaucracy can always be defeated as is evidenced by the very fact that "Doctor Who" has returned at all. For this one reason alone, The Doctor will always be a welcome guest in my life!

Desert Island "Doctor Who"!

With only two episodes left before the first new season of "Doctor Who" for almost sixteen years reaches what promises to be a tumultuous climax in a battle against the Daleks, I thought it might be an opportune time to compile my list of favourite stories that, as well as reflecting on some of the great stories of the past, also includes one from the ninth Doctor’s era. There are several new classic stories to choose from that have indeed justified all the hype and kept the show true to its original spirit and as fun as it always was. Coincidentally, I have the requisite number of eight choices as per the radio show from which this idea is affectionately borrowed!

From William Hartnell’s era my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming, for the first time, enhances the atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial’s shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford’s departure from the series after playing the Doctor’s granddaughter, Susan, for ten stories...

So many perfect serials from Patrick Troughton’s time on the show! "Fury from the Deep" is my choice simply because it frightened me more than anything else I’ve ever seen. It has several excellent cliffhangers and I’ll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever. Years later, when I became interested in the programme in a more academic way, I discovered the director Hugh David (David Hughes) had taught my Dad maths at Grammar School and his wife, who had been the English teacher, guested in the Tom Baker story "The Ark in Space".

My favourite period of the Jon Pertwee era is the beginning. I love the first six serials because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton’s other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men’s minds is so much more frightening than some lumbering monster! It’s a cliché now but the camera closing in on the prisoner’s hand, pulling the trigger on the Doctor, only to pull out the following week to reveal the Brigadier’s gun preventing the death of our hero was new, and therefore clever, to me at the time.

My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will stay with me for the rest of my life. I just couldn’t see how they were going to get out of that one when it first aired!

Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison’s Doctor and new companion Peri are shot dead at the end of the first episode I didn’t foresee the resolution. It’s a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story’s close.

"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker’s Doctor doesn’t really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which probably accounts for why she is one of my favourite companions when all the others, Polly, Victoria and Zoë, hail from the mid-to-late Sixties. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!

From Sylvester McCoy’s three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn’t all played for laughs as is often suggested. One of the scariest things in this serial isn’t the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realized. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord", at the end of episode three, and "Don’t interrupt me when I’m eulogizing"?!!

Finally, from the single season that constitutes the Christopher Eccleston era, my eighth choice is Steven Moffat’s two-part story that begins with "The Empty Child" and concludes with "The Doctor Dances". Set during WWII, like "The Curse of Fenric", this production has everything including a spine-tingling transformation sequence featuring "One Foot in the Grave" actor Richard Wilson towards the end of the first episode. The unearthly boy of the title is called Jamie, no doubt after the second Doctor’s Scottish companion. His mum is called Nancy, undoubtedly after the character who befriends Fagin’s boys in "Oliver Twist", linking back to the earlier Dickens episode. And the Glenn Miller tunes were previously aired by the DJ in "Revelation of the Daleks". Just a few of the subtle references that help make this story as near perfect as possible.

And, if I was only allowed just one of the eight to take to my mythical island it would have to be, if it still existed in the BBC’s archive, "Fury from the Deep". I don’t think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.

"Mind Robber" DVD

The ironic thing about there having been an extra episode tagged onto the front of the season six "Doctor Who" serial "The Mind Robber" when it was made, back in the late Sixties, is that, collectively, the five episodes underrun to such an extent that the story has the equivalent running time of a four-parter! I wonder how it would work re-edited as such?

"The Mind Robber" is a good choice of story for release on DVD at the present time, however, because of the similarity of ideas between it and episode twelve of the current season. This penultimate episode sees Christopher Eccleston’s Doctor subjected to a "Big Brother" scenario, while Rose endeavours to make sure she isn’t "The Weakest Link" and Captain Jack receives a makeover from robot versions of Trinny and Susannah! This makes "Bad Wolf" sound not only like a modern reworking of "The Mind Robber" but also "The Celestial Toymaker".

These two black and white stories set the mould for later adventures such as "Death to the Daleks", "Pyramids of Mars" and "The Five Doctors" all of which feature puzzles that have to be solved to either avoid certain death or advance further into an enemy's domain or both. While outwardly oddball, it has become a traditional type of story that the Doctor and his companions are forced, against their will, to play games for their very survival!!!

Chronicling Hammer's "Dracula" Movies!

It's open to debate, and that's part of the problem and fun with cataloguing such things accurately, but I've always believed there to be seven films in the Hammer "Dracula" cycle. Although "Brides of Dracula" has Dracula in its title, and good though it is, the Count's absence from this film surely excludes it from being part of the canon, strictly speaking. I include the two "modern" takes that Hammer took on the story. They reunite Lee as Dracula with Cushing as nemesis Van Helsing for the first time in the series since its début and thus give the feel of the cycle having come full circle.

Based on the aforementioned, this would make my personal favourite, "Taste the Blood of Dracula", the fourth of the seven and thus the middle film of the cycle. The "Frankenstein" series also comprises seven and its middle film, "Frankenstein Created Woman", covers the same territory as this Dracula movie, namely Victorian values and three aristocrats who get what's coming to them!!! I'm sure it wasn't planned this way, at least not from the outset, but there is a kind of beauty to viewing them with this sequence in mind. There is no lumbering monster in this Frankenstein film which makes it atypical of its series just as, without many of the familiar trappings we have come to expect such as priests, suspicious villagers and disgruntled coach drivers, "Taste the Blood of Dracula" is also atypical.

Alas, my argument isn't watertight! Although Dracula isn't mentioned in the title, in "The Legend of the Seven Golden Vampires", released by Hammer after their last "official" Dracula movie "The Satanic Rites of Dracula", the character is included although this time not played by Christopher Lee. Therefore, it could be argued there are eight films in the cycle, nine if one still wishes to include "Brides of Dracula", and therein lies the problem. It is impossible, however desirable, to pin an exact number of films to the sequence!

"Doctor Who - The Unquiet Dead"

"Doctor Who" is getting better week by week with "The Unquiet Dead" easily the best of the first three episodes. When I saw the first episode of "Dark Season", back in 1991, I thought this is pure "Doctor Who" and naturally assumed Russell T. Davies would be a good choice to write future episodes. Thus, at first, it might seem a little odd that I should prefer the script by Mark Gatiss! This has probably more to do with the fact that the opening two episodes of a series tend to set up the situation and Mark just happens to be the first writer allowed free reign and future scripts by Russell will improve on what Mark has done.

It’s not just down to the writer. The director’s input greatly affects the final feel of a drama. Think how bad "Revelation of the Daleks" might’ve been without Graeme Harper at the helm! It is menacing right from the off despite the inclusion of a DJ. And yet neither of Graeme Harper’s two serials would’ve been as scary without the incidental music of Roger Limb. Thus when I heard Russell was doing "Doctor Who" I hoped he would bring the director of his two children’s serials Colin Cant and composer David Ferguson with him as I believe they both played an important part in making "Dark Season" and "Century Falls" frightening within the bounds of children’s drama.

I think what is missing from new "Doctor Who" so far is edge-of-the-seat direction and incidental music that sends shivers up your spine. David Ferguson didn’t just do this on the aforementioned serials but for their immediate predecessor, "Moondial", and in subsequent Barbara Vine adaptations, for an adult audience, as well. Interestingly, like Christopher Eccleston, he has also worked on "Cracker". Without checking on IMDb, I’m not sure what has happened to Colin Cant other than some work on "Coronation Street".

I want to be positive about new "Doctor Who" and yet I find myself thinking that the last time it went back in time to approximately this period was "Ghost Light" and which would I rather watch again given the choice between the two? It also seemed like the moral differences between Rose and the maid had been lifted straight from "The Curse of Fenric". I also questioned whether it was a good idea to actually meet Dickens as good as Simon Callow was and is in this role. I loved the imagery at the end of him gazing on as the TARDIS dematerialised but thought about how the seventh Doctor didn’t actually meet Darwin in "Ghost Light" or the fourth Doctor missing Da Vinci in "City of Death". I’m sure we all remember what happened when the sixth Doctor met H. G. Wells!

Apparently there have been complaints that "The Unquiet Dead" was too scary for the very young but it has always been the programme’s intention to be frightening in the safe environment of your own home. I found it full of humour, like the two previous episodes, with lines such as "She can’t have got very far, she’s 85" and, after the corpse returns from the dead, "There’s life in the old girl yet"! Actually, I know a lady of that remarkable age who has just got back from seeing her daughter in America so there isn’t as much truth in the first quote as would at first seem!

"Doctor Who" - Old and New

In many of the promotional interviews for the new series of "Doctor Who", the potential audience has been told that this version is more domestic than the classic series and will deal with the lead characters’ emotional lives more than it did in the past. Yet, I can remember in "Survival", the very last serial, broadcast sixteen years ago, seventh Doctor Sylvester McCoy going into a little corner shop, the proprietors of which were Hale and Pace no less, to buy cat food! Life doesn’t get more domesticated than that.

To say the original series was weak in dealing with emotional issues, in order to promote the new series as being strong in this area, simply isn’t fair. Sometimes the old show was good at it, sometimes it wasn’t, and the new series will probably be the same. No one can forget Sophie Aldred’s Ace coming to terms with the poor relationship she’d had with her mother, when, during "The Curse of Fenric", she admits the truth to herself and cries out, "I love you, Mum", almost hoping she might hear.

The truth is that companions haven’t always run away screaming and to say so does a disservice, especially, to the writers, as well as the actresses portraying the Doctor’s assistants. Elisabeth Sladen’s Sarah Jane Smith must have been a pretty gutsy lady to climb the scaffolding of the rocket ship to try and escape her captors in "Genesis of the Daleks". The fear of being recaptured, the possibility of falling to her death would have been uppermost in her mind and enough to make anyone nervous at the very least.

Billie Piper’s Rose Tyler, in the opening story "Rose", is understandably just as scared as any of her predecessors would have been when she is cornered in the shop’s basement by the awakening Autons. But, by the end of the episode, she plucks up enough courage, literally, to swing into action to help the Doctor out of the tight spot he’s gotten himself into. So, my contention is that the arc of character development is the same as it always was, though maybe with less depth this time round, possibly because of the shorter running time?

More thoughts on "Scarlet"...

Just finished watching "Swarm", the third episode of "New Captain Scarlet" to be transmitted. When Destiny and her squad of Angels shoot down an enemy aircraft on a collision course with Skybase, a swarm of metal-eating wasp-like insects are unleashed and attack her interceptor. Scarlet rescues her but she unwittingly returns to Spectrum HQ with one of the little critters in her clothing!

The creatures cocoon Lt. Green when she goes off-duty, in a scene reminiscent of the one missing from the original "Alien" movie. They tap into her brain to discover the logistics of Skybase and avoid the possibility of detection that would arise through connection to the computer system. Scarlet and Destiny become trapped together in a lift for over an hour as the swarm begin to take over. After escaping their confinement, they discover, when Destiny accidently knocks over a jug, that water is the Achilles heel of the insects.

The episode is excellently realised despite the absense of Captain Black so early in the run when it would’ve been better, after the opening two-part story, to firmly establish him as Scarlet’s nemesis. That error is undoubtedly down to the carelessness of the broadcasters and not the producers. ITV have a long history of not broadcasting episodes of Gerry Anderson series in the order in which they were intended!

Everyone is impossibly beautiful with an emphasis on the curves of the female characters very noticeable especially when Destiny is either in her cockpit or climbing down ladders which, no doubt, makes it sexist but is in the nature of these things in a financially competitive market.

All five Angels now launch upon danger, instead of only three of the five in the original series, which suggests they are all on duty all of the time which isn’t logical! Lt. Green is seen going off-duty and sleeping in this episode, and we meet her stand-in, so when do the Angels get any time-out or sleep? If they do, who replaces them?!! That would mean too many characters and is obviously a concept contrivance. Great fun though and I’m looking forward to the next episode, whichever one they show!?!

Return of the (virtually) indestructible hero in Hypermarionation!

Gerry Anderson's "New Captain Scarlet" began its 26 episode run on the morning of Saturday 12 February 2005 on CITV although, to be honest, I wish it wasn't part of "Ministry of Mayhem"! Why are ITV afraid to try for a bigger audience late afternoon/early evening? Also, in "MOM", the gap between the two halves of the first episode was much longer than a regular commercial break would be!

I'd like to know the thinking behind changing Lt. Green from male to female especially as there are already five female characters in the shape of the Angels although, of the five, we only meet Destiny in the first episode. The suggestion is that, like Councillor Troi when "Star Trek: The Next Generation" began, she is the character through which the emotional content of an episode will be channelled.

I'm also curious about the change of name from Cloudbase to Skybase? That aside, it moved at a furious pace and, in so-doing, lost the luxuriously sedate menace of the 1967 original. The Supermarionation version was much aided by Barry Gray's music whereas the score for the new CGI series meanders rather nondescriptly, instantly forgotten. I wonder what the closing credits are like? We weren't given the chance to see or even hear them on CITV!

There was much to recommend the new show. Particularly impressive were the Angel Interceptor flight sequences and Captain Black's resurrection, fist through the coffin lid! Coming across as a vampire-like figure with his great coat swirling behind him reminded me of "Blade Runner" although audiences with shorter memories are more likely to associate it with Spike from "Buffy, The Vampire Slayer"!

What would be nice is for younger viewers to want to discover the beauty of the original puppet series which, for all its woodenness, still felt three dimensional; something you just don't seem to get from computer generated material. Even so, I enjoyed it and will stay with the series both now and when it returns later in the year...